On Demand
New Sounds
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Jazz Plus...
Jazz plus trip-hop, jazz plus musical theatre, and even jazz plus funk, rock, electronica, pop, and everything else are offered up on this New Sounds program, “Jazz Plus.” Hear music from Club D’elf, who mix trip-hop and electronica with their improvisational jazz. Also, listen to the inimitable trio, The Bad Plus, who bring classical, rock, and pop into their jazz. Plus, music from Brian Woodbury, Ken Schaphorst, and something from the Mark Anthony Turnage project of re-imagined John Scofield themes, “Scorched.”
PROGRAM #2282, Jazz Plus… (First aired 5/10/2004)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
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The Bad Plus |
Give |
1979 Semi-Finalist [5:30] |
Columbia #58331** www.thebadplus.com* |
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John Stetch |
Exponentially Monk |
Well You Needn't [3:30] |
Justin Time #206** www.justin-time.com* |
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Either Orchestra |
More Beautiful Than Death |
Amaiak Abet Abet [10:00] |
Accurate #3282** www.accuraterecords.com* |
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Brian Woodbury |
Variety Orchestra |
Mom [4:30] |
ReR/SomePhil #7 www.somephil.com OR www.rerusa.com* |
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Club D'Elf |
As Above - Live from the Lizard Lounge |
In A Perfect World [3:30] |
Grapeshot Media #GRR1003. www.grapeshotmedia.com or www.clubdelf.com |
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Mark-Anthony Turnage & John Scofield |
Scorched |
Let's Say We Did [6:30] |
Deutsche Grammophon # 2894747292** www.iclassics.com* |
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John Stetch |
Exponentially Monk |
Green Chimneys [4:00] |
See above. |
*, ** - Find the recordings you've heard - go to the New Sounds Recordings Information page
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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