wnyc.org / 93.9fm / am 820

New Sounds

Saturday, March 12, 2005
  • jesusblood_lg.jpg

    Never Failed Me Yet

    Gavin Bryars' "Jesus' Blood Never Failed Me Yet," is a late minimalist piece for orchestra and tape that has had an almost legendary effect on its audiences. Opening with a homeless man singing a simple melody that is looped over and over again for the entire 74 minutes of the album. Bryars weaves in a beautiful string arrangement that develops slowly underneath the melody, and singer Tom Waits joins in at the end. Hear this remarkable piece (in a slightly condensed form) on this edition of New Sounds.

PROGRAM #2158 Music with Analog Tape (First aired on Tuesday, 5/27/03)

ARTIST(S)

RECORDING

CUT(S)

SOURCE

Steve Reich

Early Works

It's Gonna Rain, excerpt [1:30]

Nonesuch #79168**
www.nonesuch.com*

Gavin Bryars

The Sinking of the Titanic

Jesus' Blood Never Failed Me Yet, edited [15:00]

Obscure Records, 1975 LP, long out of print. A re-recorded version, with Tom Waits, was released in the mid 1990's by Point Music.
That version is available for purchase at Amazon.com*

Scott Johnson

John Somebody

John Somebody I & III [13:00]

Nonesuch #79133.** www.nonesuch.com*

Phil Kline

Unsilent Night

From Light [6:00]

Cantaloupe #21005
www.cantaloupemusic.com

Robert Fripp & Brian Eno

The Essential Fripp and Eno

Wind On Water, excerpt [1:30]

Caroline #61886
Available for purchase at Amazon.com*

Ingram Marshall

Fog Tropes/Gradual Requiem

Gradual Requiem, Pt. IV [8:00]

New Albion #002.**
www.newalbion.com

*, ** - Find the recordings you've heard - go to the New Sounds Recordings Information page

Leave a Comment

Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. WNYC reserves the right to edit any comments posted on this site. Please read the WNYC.org Comment Guidelines before posting.

Your comment


* required
The information entered into this form will not be used to send unsolicited email and will not be sold to a third party.
 

Twitchy Renaissance-Infused Minimalism

New Sounds

From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.

In Robert Moran's Kitchen

New Sounds

From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.

Michael Hedges and Michael Manring

New Sounds

The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.

Caravan Variations

New Sounds

Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.