On Demand
New Sounds
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T. Monk Goes to the Circus Drunk
There’s music for large ensembles on this edition of New Sounds, with tunes from The Industrial Jazz Group. Their recent CDs, which some listeners have tried to put into words as, “Thelonious Monk goes to the circus drunk,” put bebop alongside the avant-garde, with melody-driven stuff that wouldn’t be out of place in the “downtown” or “west coast jazz” scenes, yet the music is fun, multiple-metered and sometimes even includes theremin. Also, hear the prog-jazz of Either/Orchestra, who stir the soup of old-timey ballads and swing madly while doing so. Then there’s Edward Ratliff’s jazzy-snakey-smokey-Latin blend, hopefully from the CD, “Barcelona in 48 Hours.” Plus, listen to Brian Woodbury’s foray into worlds beyond jazz, with Latin percussion, big band horns, pedal steel guitar, banjo, fiddles, accordion & then some. On his most recent release,”Variety Orchestra,” Woodbury seems to draw from nearly everything - Zappa, Mexican bands, Spike Jones, Charles Ives, you name it.
PROGRAM #2327 Large bands (Wed. 9-29-04)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
The Beat Circus |
Ringleaders Revolt |
Contortionist Tango [7:00] |
Innova #623**
|
|
The Industrial Jazz Group |
City Of Angles |
Interlude In Krupa [3:00] |
Innova #571 |
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The Beat Circus |
Ringleaders Revolt |
The Mack [4:30] |
See above. |
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Either/Orchestra |
The Half-Life Of Desire |
Red [11:30] |
Accurate #3242** www.accuraterecords.com |
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Edward Ratliff |
Barcelona In 48 Hours |
Sintuba [7:00] |
Strudelmedia #008 www.strudel.net |
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Brian Woodbury |
Variety Orchestra |
Venice, Italy [8:30] |
ReR #BW1 www.somephil.com or www.rerusa.com |
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Revolutionary Snake Ensemble |
Year of the Snake |
Parade [5:30] |
Innova #599 |
*, ** - Find the recordings you've heard - go to the New Sounds Recordings Information page
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From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
Michael Hedges and Michael Manring
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
Caravan Variations
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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