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New Sounds
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Program #2088
Formed by rock guitarist Robert Fripp in 1985, the League of Crafty Guitarists has influenced numerous guitarists and has performed throughout North America and Europe, in configurations ranging from 7 to 33 members. We feature some of its numerous offshoots and solo careers on this edition of New Sounds, including the California Guitar Trio, Tony Geballe, the Trey Gunn Band, Philharmonie, Les Gauchos Allemandes, and more.
PROGRAM # 2088 Music from the Guitar Craft Seminars (First aired on Friday, October 25, 2002)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Robert Fripp and the League of Crafty Guitarists |
Live II |
Circulation IV [1:30] |
Guitar Craft Services #CGCD-002. |
|
Robert Fripp and the League of Crafty Guitarists |
Show of Hands |
Circulation [2:30] |
Editions EG#2102* |
|
Robert Fripp and the League of Crafty Guitarists |
Live II |
Asturias [3:30] |
Same as above. |
|
California Guitar Trio |
Invitation |
Prelude Circulation (Bach) [2:30] |
Discipline Global Mobile #9501 |
|
Europa String Choir |
The Starving Moon |
J.S.Bach: Cello Suite #1, Prelude, [3:30] |
Dscipline Global Mobile #9509 |
|
California Guitar Trio with Tony Levin & Pat Mastelooto |
CG3 +2 |
Eve [4:00] |
Inside Out #65242 2043-2 |
|
Trey Gunn |
One Thousand Years |
1000 Years [5:00] |
Discipline #9302** |
|
Tony Geballe |
Native Of The Rain |
Native Of The Rain [6:00] |
Discipline #9703** |
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Various artists: Los Gauchos Alemanes |
Sometimes God Hides: The Young Person's Guide To Discipline |
Voices of Ancient Children [3:00] |
Discipline #9605** |
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Seattle Guitar Circle |
Twilight |
Anniversary Circulation [3:00] |
Ballistic Music #9901 |
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Philharmonie |
The Elephant Bell-Ringers |
Quicksilver [9:00] |
Cuneiform #Rune 54 |
|
Robert Fripp String Quintet |
The Bridge Between |
Hope [4:00] |
Discipline #9303.** |
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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