On Demand
WNYC's Coverage of the Democratic National Convention
Live performances in Soundcheck's studios
Studio 360: How Animals Communicate with Each Other
Selected Shorts featuring "The Trouble of Marcie Flint," by John Cheever
Radio Rookies: Brooklyn Broadcast Workshop
On the Media: Challenging Convention
Street Shots Challenge
New Sounds
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Robert Moran
Program #2044
Host John Schaefer welcomes Philadelphia composer Robert Moran, who introduces his apocalyptic work Voices of the Last Seal, based on text by King Ludwig II of Bavaria. The work was written in 2001 specifically for Munich's Frauenkirche, and employs chorus, cellos, percussion and keyboard. Moran was a founder of the San Francisco New Music Ensemble and has been composer-in-residence at Northwestern University. He has composed in a wide range of genres from large-scale, multi-ensemble works to operas. A not-to-be-missed work.
PROGRAM #2044 with Robert Moran (First aired on 6/6/02)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
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Robert Moran |
Private Recording |
Voices of the Last Seal |
Not commercially available. For more information on Robert Moran, go to his website - members.macconnect.com/users/r/rbtmoran/ |
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Private Recording |
Spin Again, excerpt [6:00] |
Same as above. |
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Desert Of Roses / Ten Miles High Over Albania / Open Veins |
Look Into My Eyes [5:00] |
Argo #436 128. Out of print. |
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Highlights with Audio
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From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
Michael Hedges and Michael Manring
New Sounds
The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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