On Demand
New Sounds
-
Program #1824
Computer music has long held connotations of being "cold" and "academic," but as this program of works by Noah Creshevsky, Pauline Oliveros, and others, shows, computer technology has also afforded a sense of universality and unlimited boundaries to new music.
PROGRAM # 1824, computer music (First aired onTues, 9/12/00)
| ARTIST(S) | RECORDING | CUT(S) | SOURCE |
|
Noah Creshevsky |
Who |
Fanfare [8:00] |
Centaur #2476** PRMS* or www.centaurrecords.com |
|
CDCM Computer Music Series, Vol. 7 |
iEAR studios at RPI |
P. Oliveros: Lion's Tale [15:00] |
Centaur #2047, see above. |
|
CDCM Computer Music Series, Vol. 27 |
Music from CEMI |
P. Winsor: Il Passaggio Spaziale [8:00] |
Centaur #2407, see above. |
|
CDCM Computer Music Series, Vol. 7 |
iEAR studios at RPI |
J. Chadabe: Modalities [7:30] |
See above. |
|
Noah Creshevsky |
Who |
Nude Ascending [6:30] |
See above. |
|
CDCM Computer Music Series, Vol. 27 |
Music from CEMI |
L. Austin: Quadrants, Event/Complex #1 (excerpt) [5:00] |
See above. |
For more information, links, and other resources devoted to computer and electronic music, check out www.emf.org .
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