On Demand
New Sounds
-
Program #1941
Sideshow: The songs of Charles Ives; The Frigg-Brecht Project; more.
NEW SOUNDS with John Schaefer, a Production of WNYC-FM
PROGRAM #1941,
new arrangements of classic 20th century songs (First aired on 7/25/01)
ARTIST(S)
RECORDING
CUT(S)
SOURCE
Sideshow
The Songs
of Charles Ives
Slugging
A Vampire [4:00]
CRI/Blueshift
#2000** www.composersrecordings.com
Frigg
The Brecht
Project, live in Berlin
Die Welt
Gefällt Mir Nicht Mehr [4:00]
Private CD.
Two other versions of this song are on Frigg's CD Brecht, Knitting
Factory #354. www.knittingfactory.com
or 212-219-3006
Kamikaze
Ground Crew
Covers
Easter Sunday
1935 [9:30]
Koch Jazz
#7882** www.kochint.com or
Sideshow
The Songs
of Charles Ives
Memories
[3:00]
See above.
Echo
Private CD
Night And
Day [4:00]
Not commercially
available.
Sidsel Endresen
& Bugge Wesseltoft
Duplex Ride
River [7:30]
Curling Legs
#41. www.notam.uio.no/cl/ ,
email: musikkop@notam.uio.no
Bossa Cuca
Nova & Roberto Menescal
Brasilidade
Nos e o mar
[5:00]
Six Degrees
#657036 1043** www.sixdegreesrecords.com
Dwight Frizzell
Bullfrog
Devildog President
Black Hawk
Waltz I [1:30]
Sparkling
Beatnik #0019. Www.sparklingbeatnik.com
Sideshow
The Songs
of Charles Ives
The Housatonic
At Stockbridge [8:30]
See above.
**In most better
stores; in NY, try J&R on Park Row, Tower Records, Virgin megastore at Times
Square, HMV, Other Music on 3rd St., etc.
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In Robert Moran's Kitchen
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From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
Michael Hedges and Michael Manring
New Sounds
The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
Caravan Variations
New Sounds
Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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