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The Undead #73 - Michael Hedges and Michael Manring
The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
PROGRAM # 73, With guests Michael Manring and Michael Hedges (10/10/1987)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Michael Hedges
|
The Shape of the Land |
Because It's There |
Windham Hill Records WH 1055. Out of print, but try Amazon.com |
|
Live performances |
Silent Anticipation Aerial Boundaires |
Not commercially available. |
|
|
Aerial Boundaries |
Spare Change |
Windham Hill #1032, www.windham.com |
|
|
Michael Manring
|
Unusual Weather |
Welcoming |
Windham Hill #1044. Out of print. |
|
Live performance |
Longair Mobile |
Not commercially available. |
|
|
Unusual Weather |
Thunder Tactics |
See above. |
|
|
Live performance |
Thunder Tactics, solo |
Not commercially available. |
|
|
Michael Hedges with Michael Manring |
Aerial Boundaries |
After the Gold Rush |
See above. |
*, ** Find the recordings you've heard - go to the New Sounds Recordings Information page
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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