New Music for Solo Guitar (Weekly Podcast)
Friday, February 25, 2011
For this New Sounds, we’ll have at least a double-helping of guitar music, featuring some solo works by Marc Ribot intended as music for films: some are adaptations of music he has actually written for films, others for classic silent movies that he scored for his personal amusement, still others for films of his own imagination. These haunting and wistful pieces explore, as Ribot says, "the strange area between language and spatiality that exists partly in between music and visual image, and partly as a common property of both."
Plus, solo guitar music from gifted guitarist/composer Gyan Riley (yep, son of notable composer Terry Riley) from his most recent effort, “Stream of Gratitude,” a record of original works that happen to be dedications (to J.S. Bach, John Dowland, Agustin Barrios Mangoré, Egberto Gismonti, and others.) All that, and music from William Tyler and Michael Chapman as well.
PROGRAM # 3164, Music for Solo Guitar (First aired on 1-27-11)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Marc Ribot |
Silent Movies |
Delancey Waltz, excerpt [1:30] |
Pi Recordings PI 34 |
|
Michael Chapman |
Trainsong: Guitar Compositions 1967-2010 |
The Last Polish Breakfast [5:25] |
Tompkins Square 2530 |
|
Wililam Tyler |
Behold the Spirit |
Missionary Ridge [6:04] |
Tompkins Square 2424 |
|
Gyan Riley |
Stream of Gratitude |
Irican [6:20] |
Tzadik 8078 |
|
Michael Chapman |
Trainsong: Guitar Compositions 1967-2010 |
Thurston's House [3:09] |
See above. |
|
Marc Ribot |
Silent Movies |
Flicker [5:22] |
Pi Recordings PI 34 |
Leave a Comment
Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.