Thursday, April 17, 2014
On this New Sounds, listen to new music from American composer Chris Campbell. On his latest, “Things You Already Know,” homemade instruments of propane tank drums, bowed psaltery and singing bowls are combined with guitars, cellos and drums to creep, scrape and eventually burst, then string melodies soar, and jams are proverbially kicked out.
Monday, March 31, 2014
For this New Sounds, listen to new music from violinist and vocalist Caleb Burhans. His latest release “Evensong” explores both the secular and sacred, along with works both instrumental and choral. Listen to his "The Things Left Unsaid," one of the instrumentals on the record. Also, hear music by Nico Muhly, which draws from both the minimalist tradition and Anglican hymns. Plus, an ambient-sounding work from Hungarian composer Gyorgy Ligeti.
Special thanks to our hardworking New Sounds Assistant, Isabel Kim, for making this podcast possible.
Monday, March 24, 2014
Listen to folk-inspired ballads, featuring male folk-singers & wandering minstrels on this New Sounds. There are surreal songs from a haunting record, “Hirta Songs,” by Alistair Roberts and poet Robin Robertson, with texts inspired by the history, landscape and people of the remote Scottish archipelago of St. Kilda (about 100 miles off the coast of Scotland.) The record is named after the largest of these islands, where the main employment was fowling the great quantities of sea birds. (Sheep-herding, crofting and fishing were ways of life as well.) The eerie songs we’ll hear are both based on Celtic melodies; "A Fall of Sleet," is based on the tune 'The Battle of Inverlochy.' while the other, "Exodus," concerns the 1930 voluntary evacuation of the islands and is based on two tunes.
Monday, March 17, 2014
Listen to music for quartets on this New Sounds - but not the usual two violins, viola, and cello. Rather, the guiding principle will be four musicians, playing everything from marimba to mandolin. Hear from the electric guitars of Dither Quartet, along with music from the Prism Sax Quartet (saxophones). Then there's music from the Brooklyn-based percussion quartet Ensemble et al, - whose members "take a garage band approach" to chamber works, minimalism, modal jazz, and instrumental rock- on marimba, vibraphone, glockenspiel, and drum set. (The KISS t-shirt in some of their online photos does wonders to set their tone.)
Monday, March 10, 2014
For this New Sounds program, listen to an hour of music inspired by architecture. Hear Neil Rolnick's electronic violin concerto, "Gardening at Gropius House" featuring violinist Todd Reynolds and members of Alarm Will Sound conducted by Alan Pierson. (Walter Gropius was an influential architect and founder of the Bauhaus school, whose Massachusetts residence was carefully designed both in the structure as well as the grounds, which included a Japanese garden.)
Monday, February 10, 2014
Monday, January 27, 2014
Monday, January 13, 2014
Monday, December 23, 2013
Monday, December 02, 2013
Monday, November 04, 2013
Wednesday, September 25, 2013
Tuesday, September 10, 2013
Tuesday, August 27, 2013
Monday, July 22, 2013
Thursday, June 27, 2013
Watch out for more music for the duduk (a reed instrument indigenous to Armenia) than you can shake a stick at! We'll hear from the Gurdjieff Folk Instruments Ensemble, along with music from Andrew Cronshaw's latest cross-cultural collaboration (Armenian & British), "The Unbroken Surface of Snow," at times an unlikely combination of zither and duduk.
Monday, June 10, 2013
For this New Sounds show, listen to post-minimalist works that are somewhat keyboard-centric. Hear brand new music by Daniel Wohl, from the musicians of TRANSIT, and featuring vocals by Julia Holter. There’s also music from French composer Sylvain Chaveau, from a collection of works for cinema. Plus, the Irish composer Simon O’Connor reworks J.S. Bach for the Ergodos Musicians, and listen to a multi-part work by Nico Muhly from his “Drones” release.
Special thanks to our New Sounds Spring Intern, Caroline, for her help in securing these permissions. Extra thanks to New Sounds Summer Intern Ross Harriss, for doing the heavy lifting of the editing.
Friday, May 31, 2013
For this New Sounds, enjoy an hour of works for brass, from the 19 piece French band Bigre! and sample some of the just-out release, “Brooklyn Babylon” from Darcy James Argue's Secret Society, (only 17 pieces strong.) There’s also music from Benin in western Africa, along with music from Macedonia, Manhattan and even Albania. The Albanian outfit Fanfara Tirana meets London’s Trans-Global Underground on their fabulous record, “Kabatronics,” and for more brass band power, there’s the Kocani Orkestar from Macedonia. Plus, listen to Benin’s classic funk heroes, Orchestre Poly-Rythmo.
Special thanks to our New Sounds Spring Intern, Caroline, for her help in securing these permissions.
Monday, April 29, 2013
Unlikely combinations of cultures and traditional musics give a global perspective on this New Sounds program. Listen to a musical portrayal of an imaginary Syria, "Syriana." It's a London-based ensemble with musicians from Syria and parts of the Near East, featuring the Pan-Arab Strings of Damascus. There's also music by sax player Uri Gurvich from his forthcoming record, “BabEl,” a mixture of oud and North African percussion with some saxophone, piano, bass and drums.
Tuesday, April 16, 2013
For this New Sounds Special Podcast*, listen to a few groove-based pieces for piano and electronics, including brand-new music from Jace Clayton (aka DJ Rupture) which looks back to an outsider figure of “Downtown” Manhattan scene in the 1980’s – Julius Eastman, the late gay African American composer, pianist, vocalist, and dancer. Eastman’s work forms the basis of Clayton’s album; two long works – one involving the “n” word, and “Gay Guerilla.” Hear the conclusion of “Gay Guerrilla” arranged for two pianos and electronics, along with the latest from Brandt Bauer Frick, and 11-musician strong Berlin-based ensemble who reproduce rhythms and sounds of electronic dance music (EDM) mostly acoustically.