Episode #3383
New Sounds of Bluegrass & Americana
Wednesday, September 26, 2012
Banjos at Mandolin Brothers.
(Sarah Kate Kramer/WNYC)
Hear banjos, dulcimers, fiddles and other instruments used in traditional American string band music, New Sounds-style on this show. There’s music from Norwegian banjo player Stian Carstensen, hammered dulcimer player Dan Joseph, and the mandolin-guitar duo known as Prester John. Plus, from the back wall of the New Sounds library, listen to the trio, Ellipsis (from the early 1980’s, on Flying Fish Records), who combine bluegrassy and folk instrumentation with minimalism and Indonesian elements.
PROGRAM # 3383, Echoes of Americana (First aired on 9/26/2012)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Ry Cooder |
Paris, Texas |
She's Leaving The Bank, excerpt [1:17] |
Warner Bros. #9362480892 (2001 reissue) |
|
Ellipsis |
Ellipsis |
Lebadang [6:44] |
Flying Fish FF-339 Out of print. Try auction sites |
|
Dan Joseph Ensemble |
tonalization (for the afterlife) |
tonalization (for the afterlife), excerpt [8:47] |
Mutable 17545 |
|
Yo-Yo Ma, Edgar Meyer, Mark O'Connor |
Appalachian Journey |
Caprice for Three [3:48] |
Sony Classical SK 66782 |
|
Stian Carstensen |
Backwards Into The Backwoods |
Gyorgy's Appalachian Vacation [4:38] |
Winter & Winter 910087 |
|
Ry Cooder |
Paris, Texas |
Paris Texas [2:57] She's Leaving The Bank [6:02] |
See above. |
|
Prester John |
Desire for a Straight Line |
The Favored Colour of Light [8:28] |
Innova 774 |
|
Michael Masley |
Mystery Repeats Itself |
Still In All/Deep In Each [4:13] |
Tonehenge Productions Happensdance Music |
John Cage: City Circus, Program IV
For this show, the fourth in the John Cage: City Circus series, listen to music from a tribute double album collection of John Cage pieces performed by friends, colleagues, and admirers called, “A Chance Operation.” Laurie Anderson tells Merce Cunningham tales, Percussionist/composer David Van Tieghem contributed “Living Room Music,” and bass player Robert Black performs a work by Larry Austin.


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