Episode #3110
Bang on a Can Marathon 2010 - Part I
Saturday, December 22, 2012
For this New Sounds, we present highlights from the annual new music extravaganza, the Bang on a Can Marathon. The French bass player, composer and laptop manipulator Florent Ghys writes witty minimalist pop music pieces. We’ll hear some of these, recorded live at the World Financial Center.
Plus, the Dutch percussion masters Slagwerk Den Haag performs music by Korean composer Seung-Ah Oh. Also, the Kaufman Center's teenaged new music ensemble, called Face the Music, performs “Mesh” by Graham Fitkin and more. (This show is part 1 of 3.)
PROGRAM # 3110, Bang on a Can Marathon 2010, Part 1 (First aired on 9/1/2010)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Kambar Kalendarov, Kutman Sultanbekov |
Bang on a Can Marathon |
Asanbai Karimov: Chyibyldyn Kyzynyn Koshogu, excerpt [2:00] |
This performance not commercially available. |
|
Face the Music |
Bang on a Can Marathon |
Graham Fitkin: Mesh [9:20] |
This performance not commercially available. |
|
Moritz Eggert |
Bang on a Can Marathon |
Moritz Eggert: Hämmerklavier III: One Man Band [3:55] |
This performance not commercially available. |
|
Florent Ghys |
Bang on a Can Marathon |
Florent Ghys: Simplement [6:42] |
This performance not commercially available. |
|
Quartet New Generation |
Bang on a Can Marathon |
Dorothée Hahne: Dance Macabre [5:27] |
This performance not commercially available. |
|
Quartet New Generation |
Bang on a Can Marathon |
Mary Ellen Childs: Black Box [4:05] |
This performance not commercially available. |
|
Slagwerk Den Haag |
Bang on a Can Marathon |
Seung-Ah Oh: DaDeRimGil [15:15] |


Leave a Comment
Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.