PROGRAM # 2892 Things with Strings (First aired on Tues 1-27-09)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Andrew Bird |
Noble Beast |
Nomenclature, excerpt [1:30] |
Fat Possum Records 1124**, www.fatpossum.com* |
|
Andrew Bird |
Noble Beast / Useless Creatures (Deluxe Edition) |
You Woke Me Up! [7:30] |
Fat Possum Records #11240 (ONLY available on Deluxe edition CD or 2LP set Noble Beast/Useless Creatures) |
|
Johann Johannsson |
Englebörn |
Eg atti graa aesku [5:00] Odi et Amo [3:30] |
Touch Music #52 |
|
Arvo Pärt |
Tabula Rasa |
Cantus in Memory of Benjamin Britten [5:00] |
ECM #1275** |
|
Andrew Bird |
Noble Beast / Useless Creatures (Deluxe Edition) |
Carrion Suite [8:00] |
See above. |
|
Anton Batagov |
Tetractys |
Tetractys, excerpt [17:00] |
Long Arms #04064 |


Comments [1]
Strings sections in opera that before Verdi and Wagner had not such dramatic usage, AFTER Wagner's almost sole orchestration of most of the beginning of the "Lohengrin" Acts 1 and 3 Preludes became the interpreter
of the drama and its textual subtext commentary. Lohengrin's magical knightly persona is leading motive accurately represented. Verdi, likewise, in his Preludes to Acts 1 and 3 of "La Traviata" sets a template for the malady and sensitivity of the opera's heroine Violetta, who was, indeed a famous Parisian courtesan, of a different name, who tragically died young. As an opera composer myself; "Shakespeare" & "The Political Shakespeare," and a Wagnerian heldentenor and director of the Richard Wagner Music Drama Institute, I fully employ the strings musically and dramatically.
www.WagnerOpera.com
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