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Episode #2057

Program #2057

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Saturday, June 05, 2004

With any conventional piano, a hammer drops on string, and sound is produced. Well, perhaps not always, for on this edition of New Sounds, there are some unusual approaches to noisemaking at the piano, including ebow, electronic processing, and overdubs, although not all at once. Hear the eerie and theremin-like, yet somehow evil-sounding ebow (a little magnet which produces a sustain) on piano strings with Maggi Payne’s work “Holding Patterns,” performed live in the WNYC studio by pianist Sarah Cahill. Also listen to Charles K. Noyes’ processed piano music; and the “string” piano, or the insides of the piano, as Margaret Leng-Tan plays John Cage’s “In the Name of the Holocaust.”

PROGRAM #2057 Piano Works (First aired on 7/18/02)

ARTIST(S)

RECORDING

CUT(S)

SOURCE

Maggi Payne

 

Sarah Cahill, live WNYC 10/25/01

Holding Patterns [3:00]

This was a world premiere performance; it has not been commercially recorded. More info about Maggi Payne

Charles K. Noyes

Full Stop

In Memoriam, Kathy Acker [6:00]

Ecstatic Peace #20. www.smellslikerecords.com

Allaudin William Mathieu

In The Wind

Quints [8:00]

Cold Mountain Music #009. www.coldmountainmusic.com OR
PO Box 912 Sebastopol,
CA 95473, USA

Geoff Keezer

Zero One

Hibiscus [6:00]

Dreyfusrecords #36703
www.dreyfusrecords.com or www.gmn.com

Galeshka Moravioff

Piano Solo, Vol. 3:

"Désirs d'Histoires",

1ere Partie

#3 [12:00]

MGC Paris #DH1
Available through FILMS SANS FRONTIERES
Fax: (33 1) 42 77 42 66
www.films-sans-frontieres.fr

Margaret Leng Tan

Sonic Encounters: The New Piano

Cage: In the Name of the Holocaust [6:30]

Mode #15**
www.mode.com

Geoff Keezer

Zero One

Sleepflying [4:00]

See above.

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