Bill Moyers evaluates the health of American democracy today. Also: journalist Simon Winchester on the fascinating life story of a Cambridge scientist. Jockey Edgar Prado, who rode in this past Saturday's Kentucky Derby.
And the latest in our Political Projections film series looks into how changing political climates affect the newer versions of old films.
TV journalist Bill Moyers assesses the health of democracy in America today. His new book is Moyers on Democracy.
Bestselling journalist Simon Winchester’s new book, The Man Who Loved China, tells the true story of a Cambridge scientist who fell in love with a Chinese student in the 1930 and went on to devote his life to writing a whopping 17-volume history of China.
Event: Simon Winchester will be speaking and signing books
Tuesday, May 6 at 7:30 pm
Lincoln Center Barnes & Noble
Jockey Edgar Prado was riding Barbaro in the 2006 Preakness when the horse stumbled and shattered a leg; he says that Barbaro was his "friend, teammate, and hero." His new book is My Guy Barbaro. Mr. Prado also rode in this past Saturday’s Kentucky Derby and saw firsthand that race’s tragic end when Eight Belles had to be put down.
Political films are among the most frequently remade films in Hollywood. We compare the originals and remakes of “All the King’s Men” and “The Manchurian Candidate” to see how each depicts the politics of the time in which it was made.
Philip Gianos of California State University, Fullerton, is the author of Politics and Politicians in American Film. Independent scholar and journalist Gaspar Gonzalez is co-author of What Have They Built You to Do?: The Manchurian Candidate and Cold War America.
The movies we'll discuss are:
“All the King’s Men” (1949) – Robert Rossen directed this classic political film based on the Pulitzer Prize-winning novel by Robert Penn Warren, a thinly veiled portrait of Depression-era Louisiana governor Huey Long.
“All the King’s Men” (2006): Steven Zaillian wrote and directed this remake, which remains largely faithful to the original version.
“The Manchurian Candidate” (1962): John Frankenheimer directed this classic political thriller that, when first released, was considered far ahead of its time.
“The Manchurian Candidate” (2004): Jonathan Demme directed this remake, updating its themes and plotlines to address the Bush Administration’s war on terror.
Watch the films, and then weigh in: How do you think the remakes compare to the original versions? How are the films shaped by the politics of the times in which they were made?
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