Writing for stage and film presents some unique challenges. Two men who’ve done both, David Rabe and Kenneth Lonergan, join us to talk about their experience writing for the different mediums and adapting their work from one format to another. Lonergan’s screen writing credits include: "You Can Count on Me" and "Gangs of New York." His plays include "Lobby Hero," "The Waverly Gallery," and "This is Our Youth." Rabe's has written "Hurlyburly," "Sticks and Bones" and "In the Boom Boom Room" for the stage. His screenplays include "The Firm" and "Casualties of War."

Comments [3]
I have found that too many plays sent to me as a director/producer of theatre are not plays but screenplays seeking an audience. Writers do not often understand the medium in which they are working. Theatre is firstly about the dialogue and most folks cannot write well enough to make it work. Shanley is a great example of someone who can do this.
One great talk talk was My Dinner with Andre!
re; Shakespeare - do you ever to go Stratford near London Ont. for traditional Shakespeare productions? Would Will go for those?
Leave a Comment
Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.