Eugene Robinson and Ned Sublette
Monday, July 12, 2004
Eugene Robinson, author of Last Dance in Havana, and Ned Sublette, author of Cuba and Its Music, discuss the important role music plays in Cuba’s identity.
» Read an excerpt of Cuba and Its Music in the Reading Room
» More about Last Dance in Havana
» More about the Cuba and Its Music
Music: Malecon, by Issac Delgado: "La Vida es un Carnival"
Cuba Si!, "El Tragico"
Rituales Afrocubanos, by Grupo Afrocuba de Matanzas: "Musica Arara, Sabalu"
24 Horas, by Habana Abierta: "Cuando Sali de la Habana"
» Read an excerpt of Cuba and Its Music in the Reading Room
» More about Last Dance in Havana
» More about the Cuba and Its Music
Music: Malecon, by Issac Delgado: "La Vida es un Carnival"
Cuba Si!, "El Tragico"
Rituales Afrocubanos, by Grupo Afrocuba de Matanzas: "Musica Arara, Sabalu"
24 Horas, by Habana Abierta: "Cuando Sali de la Habana"

Leave a Comment
Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.