Sponsor

wnyc.org / 93.9fm / am 820

Gymnopédi-huh?

« previous episode | next episode »

Sunday, March 11, 2007

Erik Satie started calling himself a "gymnopédiste" before he wrote a note of his famous "Gymnopédies" for piano (which we'll hear tonight). Borrowing the word from an abstract poem by Patrice Contamine, Satie delighted in confounding his contemporaries as to what the word meant, exactly.

Later on we'll be celebrating the anniversary of composer Henry Cowell's birth in 1897 with one of his "Hymn and Fuguing Tunes." Other Cowell tonight includes two of his wildly descriptive piano pieces, "Aolean Harp" and "The Banshee." Works by Johann Sebastian Bach—plus a little John Cage thrown in for fun—complete the evening.

Leave a Comment

Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.







URL

If you enter anything in this field your comment will be treated as spam
Location
* Denotes a required field