Directed by archivist Andy Lanset, the department provides a central repository for thousands of audio recordings, photographs, memorabilia, reports, news items, program guides, institutional records, and promotional materials.
Among its holdings are more than 50,000 recordings in a variety of formats, from early lacquer and acetate discs, to reel-to-reel tapes, to digital audio tapes and compact discs.
In 1949, Israel's Abba Eban defends his country against a variety of accusations and urges the United Nations to act favorably on Israel's application for admission to that international body.
WNYC's American Music Festival features Richard Dyer-Bennet in his all-too-brief heyday, before betrayal and political accusations would derail his career, in this 1945 studio appearance.
"Three Generations From the Court of Domestic Relations" is the title of this 1954 performance by the monologist Ruth Draper. The setting is the Starlight Roof of the Waldorf Astoria, where Draper, the afternoon's entertainment, takes the stage.
Between the summer of 1925 and spring 1932, Victor Harrison-Berlitz, the General Manager of 410 U.S. Berlitz language schools, taught French, Spanish, German and Italian over WNYC. The regular classes were a pioneering effort for American radio.
As New Sounds celebrates composer John Cage's 100th birthday, we at the WNYC archives add our own, irreverent archival item to the celebration: a WMCA News Parade program with an eerie premonition of John Cage's famous "silent" piece, 4'33".
"We are heading up to one of the greatest crises, I think, in modern history." This prediction about oil and the Middle East was made in 1951 by none other than Supreme Court Justice William O. Douglas at a Books and Authors Luncheon.
Tommy Dorsey's 1945 teaming up with Leopold Stokowski drives the young audience into a frenzy even before the first note is played. Stokowski comes across as a bit schoolmasterish, admonishing the audience to be quiet or "the concert ends now."
The former prime minister and future president of Ireland, Eamon de Valera, is welcomed to New York by various dignitaries during this 1948 visit. Grover Whalen, the city's official greeter, introduces "the boy from Manhattan island" who now returns as a recognized world leader.
Carmine G. DeSapio rose through the ranks of Tammany Hall, the New York City Democratic machine, starting out as an errand boy and becoming "boss" in 1949. The upcoming presidential contest is very much on DeSapio's mind during this 1955 edition of Campus Press Conference.
In 1946, there was a 29% increase in the cases of venereal diseases in New York City. Interestingly, there was a correlative rise in flushed exclamations of catching VD from toilet seats, park benches, and bus seats.
Speaking first in this 1955 debate, the Democratic boss Carmine G. DeSapio bristles at the question, "Is Tammany Hall fundamentally corrupt?" He dismisses such "sinister implications," claiming they refer to long-ago scandals.
Overcoming a life of hardship, Samuel Davis Jr. became a major performer in Las Vegas and a member of the legendary Rat Pack. In a quiet, moving tone, Davis, author of the just-published Yes I Can, speaks at a Books and Authors Luncheon in 1965.
Celebrating the appearance of his first published novel, Pomp and Circumstance (1961), Noël Coward coolly rebuts those critics calling him "antiquated, snobbish, and belonging to an earlier, more complacent age."
The investigation continues! The evils of horror comics are explicated by two contrasting witnesses, Dr. Fredric Wertham, a reserved psychiatrist, and William Gaines, the chief purveyor of such lurid publications as The Haunt of Fear, The Vault of Horror, and Tales From the Crypt.
This is "not a subcommittee of blue-nosed censors," the chairman Robert Hendrickson claims, in his introductory remarks at these famous Congressional hearings on the link between comic books and juvenile delinquency, broadcast over WNYC on April 21, 1954.
During his freshman year at Antioch College, Rod Serling worked as an unpaid intern at WNYC. Although his newsroom and script-writing duties kept him mostly off the air, Serling's unmistakable voice can be heard in the station's public service series Toward Return to Society, produced in cooperation with the New York City Department of Correction.