NEH-Funded Preservation Project
Browse through all of our archival programs. Read about the project here.

Directed by archivist Andy Lanset, the department provides a central repository for thousands of audio recordings, photographs, memorabilia, reports, news items, program guides, institutional records, and promotional materials.
Among its holdings are more than 50,000 recordings in a variety of formats, from early lacquer and acetate discs, to reel-to-reel tapes, to digital audio tapes and compact discs.
For more than 88 years, WNYC has been a witness to the news, politics and cultural events of New York City. We've combed our archives to bring you some of the most notable highlights from our rich broadcast heritage.
Credit: NYC Municipal Archives
Beginning as an office boy for The World, Tommy Cowan went on to be Thomas Edison’s receptionist, greeting important visitors to the inventor’s laboratory in West Orange, New Jersey. From there he was the first announcer on the air in the New York metropolitan area when WJZ Newark started broadcasting in 1921. He announced the first World Series broadcast based on descriptions phoned into him from the game, as well as covering the June, 1924 Democratic National Convention from Madison Square Garden.
WNYC's Chief Concert Engineer Edward Haber recorded Richie Havens for WNYC and had this recollection.
The 1964 World's Fair opened 49 years ago this week. In this archive joint, master builder Robert Moses, former Governor Charles Poletti and a cornucopia of others preview attractions expected at the fair. Among the featured attractions: The Pietà and a pavilion dedicated to the United Arab Republic. "We feel it's very, very important for the American people to learn more about Arab countries," Moses says.
During World War II, rationing became not only accepted, but a symbol of patriotism for most Americans. Listen to Oscar Brand in this never-broadcast documentary on how the government —and WNYC— helped foster that sentiment.
It is April 19th, 1944. Thousands of mourners silently march from a service at the Warsaw synagogue on Rivington Street to City Hall. A few carry signs: "Save Those Jews in Poland Who Can Yet Be Saved!" and, "Three Million Polish Jews Have Been Murdered By the Nazis!" When they arrive at the steps of City Hall, Cantor Moishe Oysher sings El Mole Rachamim, a funeral prayer for the the 40,000 Jews who died a year earlier in the Warsaw Ghetto uprising.
The broadcast above comes from a rare shellac radio transcription disc dated March 26, 1933. The program, The News Parade, consists of several news stories, including the one above dramatizing the Nazi persecution of Jews. It's particularly notable since Adolph Hitler had only become German Chancellor on January 30th, less than two months earlier.
In the 1980s, WQXR's This is My Music featured at least 20 famous folks (from politicians to fashion models) who included a Bach piece in their all time top 4 musical pieces.
In March, 1972, reporter Eleanor Fischer interviewed Congresswoman Bella Abzug as she was fighting to hold on to her congressional district in Manhattan encompassing, in part, the Battery, the Lower East Side, Little Italy, Chinatown, Greenwich Village and Chelsea. Representative Abzug talks about this effort to marginalize her. She also calls for pulling U.S. troops out of Vietnam, endorses Congresswoman Shirley Chisholm's campaign for the Presidency and (there may be some debate over it) lays claim to starting the honorific "Ms."
In 1957, two years before his death, Frank Lloyd Wright sat down with WNYC to discuss his design philosophy, exhibiting his trademark eloquence and blistering opinions. The year of this interview marks an explosion of commissions for Wright, who by then had been practicing architecture for 70 years.
The writer, critic, editor, filmmaker, television pioneer, and broadcaster Gilbert Seldes comments on censorship, a favorite topic, in this 1953 broadcast of The Lively Arts.
This dramatic live broadcast from 1939 is a seminal moment in American jurisprudence and political history: the pardon of Tom Mooney, a tireless labor activist wrongly condemned to death in 1917 for a fatal bombing, after he served 22 years in prison.
The writer and activist LeRoi Jones (who would later be known as Amiri Baraka) speaks here on February 17, 1965, four days before the assassination of Malcolm X, an event that catapulted him from a charismatic Greenwich Village maverick into a radicalized black nationalist in Harlem.
This live dedication of four Works Progress Administration (WPA) murals in WNYC’s Studio B is most notable for the comments of abstract artist Stuart Davis, the only one of the murals’ creators in attendance.
Marcus Garvey, the promoter of Pan-Africanism and black pride, had a vision of economic independence for his people. Those who followed him were called Garveyites. He was the founder of the Universal Negro Improvement Association, (UNIA) the single largest black organization ever. In the 1920s and 30s, the UNIA had an estimated six million followers around the world.
In 1958, former Secretary of State Dean Acheson was out of power but not out of opinions. At this Book and Authors Luncheon the influential statesman weighs in on the pressing foreign policy question of the day: our relations with the Soviet Union.
In recognition of tonight's State of the Union address, hear a spirited 1950 roundtable on American music, featuring Aaron Copland, Leonard Bernstein, Lukas Foss and Irving Fine.
These two 1947 broadcasts mark the start and finish of the Friendship Food Train's U.S. journey, a project conceived to help the people of Europe get through the winter.
The violent anti-American demonstrations occasioned by Vice President Richard M. Nixon's recent trip to Latin America are the subject of this 1958 International Interview with Edward W. Barrett, dean of the Columbia Graduate School of Journalism.
Hall-of-famer Monte Irvin talks about his time in baseball during a round table discussion led by host Walter James Miller.
"What Is Modern Photography?" is the question posed at this symposium hosted by the Museum of Modern Art's Edward Steichen. An all-star panel of photographers, including Margaret Bourke-White, Walker Evans, Irving Penn, and Ben Shahn, give (or refuse to give) their individual, often contradictory, definitions of the controversial medium. The gathering provides a great snapshot of the state of the art in 1950.