Sarah Montague appears in the following:
Friday, November 11, 2011
Happy Ending Music & Reading series host and curator Amanda Stern decided on “Frustration” as the theme of her series opener, inviting authors Seth Fried, Jesse Ball, and Paul La Farge to vent. Listen to the audio here.
Wednesday, November 02, 2011
To explore the sometimes problematic confluence of the two countries, The Asia Society will launch its new Asian Arts & Ideas series with a forum called “The ‘Chindia’ Dialogues” on Thursday. The talks run through Sunday.
Sunday, October 30, 2011
Powerfully linked to our past and our present at an intersection between history and fantasy, witches tap into age-old legends about the power of women, but also reflect the borderline between science and spirituality that was once much more permeable.
Monday, October 17, 2011
Philip Schultz, the Pulitzer Prize-winning author of "Failure," among other books of verse, has written an unexpected work of prose called "My Dyslexia."
Tuesday, October 04, 2011
After getting the perspective of rescue organizations and government officials for a WNYC story on emergency animal rescue, I wanted to find out how NYC pet owners and their animals had actually responded to the crisis/threat of Irene, so I conducted an unofficial survey among a few neighbors and colleagues.
A recent poll commissioned by the ASPCA (conducted by Lake Research Partners) found that “one-third (35 percent) of cat and dog owners don’t have a disaster preparedness plan in place.” However, the responses I got suggested at least a heightened level of awareness.
Monday, October 03, 2011
The terrorist attacks of 9/11 fore-grounded the concept of disaster preparedness, but it was Hurricane Katrina, four years later, that redefined the idea of animal rescue. Sept. 11, 2001 gave us the Department of Homeland Security; Katrina, the Pets Evacuation and Transportation Standards Act, which was signed into law in October of 2006.
Friday, September 30, 2011
The New Yorker magazine’s founding editor Harold Ross once famously described his publication as being, “not for the little old lady in Dubuque.” Today’s New Yorker is for her and everyone else. The magazine's annual festival begins on Friday.
Monday, September 26, 2011
“Les chose sont contre nous” ("Things are against us") is the wry slogan of Paul Jennings’ parodic philosophy resistentialism*. But Professor Jane Bennett of Johns Hopkins University doesn’t think so. (*For more on resistentialism, check out: Paul Jennings, "Report on Resistentialism," The Jenguin Pennings, 1963.)
Saturday, September 10, 2011
This special program recognizes the 10th anniversary of the tragic events of September 11, 2001, and celebrates the resilience of the human spirit and the character of New York City. "UFO in Kushiro" by Haruki Murakami will be read by Ken Leung and "Lost and Found" by Colson Whitehead will be read by Alec Baldwin.
Sunday, September 04, 2011
Look out! Mayhem! Cops and robbers in a hard-boiled classic, and a comic take on burglary make zesty listening. That's for this week's episode of SELECTED SHORTS, featuring "Double Check" by Thomas Walsh, read by James Naughton and "False Alarm" by Dave Barry, read by Larry Keith.
Thursday, September 01, 2011
Eighteen years ago, with whole chunks of my address book gutted by AIDS, I attended the first Broadway production of Angels in America. I emerged from the Walter Kerr Theater, the closing scene still lingering in my mind, to face a bitterly cold February night and a sky brilliant with stars. For a moment, like Kushner’s lost housewife, I imagined every friend I had lost as a separate constellation, mapped for me, forever, in a private welkin.
Friday, August 26, 2011
Toto didn’t warn Dorothy that they were about to be swept off to Oz, but there is a general belief—to some extent supported by science—that animals can sense natural disasters ahead of time.
Sunday, August 21, 2011
A restless schoolteacher flirts with scandal, and a young girl craves freedom, in two tales about wanting what you can’t have. This week's episode will feature "Yurt" by Sarah Shun-Lien Bynum, read by Joanna Gleason, and "Wild Plums" by Grace Stone Coates, read by Mia Dillon.
Sunday, August 14, 2011
This program is devoted to two classic tales of terror by two masters of the genre. "Dracula’s Guest" by Bram Stoker is read by Aasif Mandvi and "The Masque of the Red Death" by Edgar Allan Poe is read by Fionnula Flanagan.
Sunday, August 07, 2011
This special edition of SELECTED SHORTS was inspired by a remarkable exhibition of photography at the Metropolitan Museum of Art in New York City. “Looking In: Robert Frank’s The Americans,” which was on display at the museum between September 22, 2009 and January 3, 2010, recreated Frank’s legendary book The Americans.
Friday, August 05, 2011
In honor of its 50th birthday, the Royal Shakespeare Company (RSC) brought together company founder Sir Peter Hall and current Artistic Director Michael Boyd in conversation at the Park Avenue Armory where the RSC is currently in residence.
Tuesday, August 02, 2011
Lucy Bailey’s unflinching production of “Julius Caesar” for the Royal Shakespeare Company (RSC) opens with a savage prequel: against a back projected image of the Capitoline Wolf (a much reproduced bronze sculpture of a wolf suckling Romulus and Remus) two feral young men gouge, maul, and bite one another until one finally succumbs.
Sunday, July 31, 2011
Unique points of view in an award-winning novel and a serio-comic short story prompted us to call this program VANTAGE POINTS.
Tuesday, July 26, 2011
The most telling thing about “The Winter’s Tale,” currently in repertory with the Royal Shakespeare Company at the Park Avenue Armory, is what it does not show. We eagerly anticipate the moment when all will be revealed.
Wednesday, July 13, 2011
"As You Like It" is considered a romantic comedy, and it certainly has the right “boy meets girl” ingredients. In fact, by the end of the play four boys meet girls. But though the relationship of the central couple, Rosalind and Orlando, is a core element in the work, and is heard in a minor key in the wooings of the three other couples, Michael Boyd’s production for the Royal Shakespeare Company reminds us that all kinds of love are on offer here. There is parental love, filial love, the love of servant for master, and vice versa; there is instant love, devoted love, rejected love — and all of them are put to the test in the Forest of Arden.