Sara Fishko appears in the following:
Friday, May 30, 2003
New York, NY —Every composer dreams of having a work last forever. Some spectacular pieces of music, Sara Fishko tells us, do seem to last. One such undying favorite is the subject of today's Fishko Files - J.S. Bach's Chaconne.
Saturday, May 17, 2003
Saturday, April 26, 2003
Rivals have been around as long as people have envied each other's success. Sara Fisko found some places where rivalry is productive — and where it isn't.
Saturday, March 22, 2003
Saturday, March 08, 2003
The harmonies of a string quartet come from the score and the players of course, but also from the instruments themselves. Sara Fishko talked to the Miro Quartet, whose members are experimenting with the sounds that can be created from one old maple tree.
Saturday, March 01, 2003
In the world of the jazz standard, improvisation is a very specific thing: it's a way of embellishing or even re-inventing a melody, using the structure of a song as a basis. Sara Fishko tried to get jazz improvisers to tell her about how they do it and she ...
Saturday, January 04, 2003
Saturday, December 21, 2002
The beginning of the 20th century was an era of revolution, and that’s true too of classical music. Twentieth-century composition went through a gigantic harmonic shift, and Arnold Schoenberg was at the heart of it.
Saturday, December 14, 2002
Many of us think the first great revolution of the 20th century came in October 1917 in Russia. But before Russia, there was Mexico. And with the Mexican revolution came an unparalleled period of artistic excitement and productivity. Sara Fishko has the story of a Mexican composer who was ...
Saturday, September 28, 2002
The Canadian pianist Glenn Gould was born 70 years ago this week. He died shortly after his 50th birthday. It was Gould's staggering performances of Bach's music that brought him — and Bach, for that matter — to broad popular attention. Sara Fishko asked pianists who play Bach today to comment ...
Saturday, September 07, 2002
Classical music can give us the grandeur and gravity we crave. And the words can bring it down to earth, closer to the specifics of what we're trying to recall. Sara Fishko looks at memory, music, and the art of capturing a profound moment in time.
Saturday, July 27, 2002
Electronic-instrument inventor Leon Theremin turns out to be a Russian spy.
Saturday, July 13, 2002
Sara Fishko looks at how we watch movies closely, and how even their tiniest storytelling flaws resonate on the set and off.
Saturday, June 29, 2002
A new CD set contains everything Frank Sinatra recorded in Hollywood from 1940 to 1964. One patriotic song in particular rose improbably to become a hit just after World War 2 — and its meaning changed in the process.
Saturday, June 01, 2002
Filmmakers have explored the drama and brutality of boxing since the beginning of film history. Writers Victor Navasky and Jack Newfield talk about boxing at the movies.
Saturday, April 20, 2002
In the classical recording world, performance is thought of as a fluid, spontaneous art. But in post-production, thousands of tiny, inaudible edits shape the music to perfection. Should a listener care?
Saturday, April 13, 2002
Two years after the centenary of German composer Kurt Weill, tributes are continuing, including a large exhibition and performance series now at the New York Public Library. Weill's music will always bear the imprint of one spectacular performer, his wife and muse Lotte Lenya.
Saturday, April 06, 2002
WNYC's Sara Fishko looks at the controversial show Mirroring Evil at New York’s Jewish Museum. The exhibition features contemporary artwork about the Nazis and the Holocaust.
Saturday, March 23, 2002
WNYC's Sara Fishko spotlights a writer, a film editor, and a graphic designer who admit their ambivalent relationships to technology.
(Originally aired: June 9, 2001)
Saturday, February 23, 2002
Orchestrators of musical theater are an imaginative and meticulous bunch, handling what a Broadway composer often does not. They create the mood of the arrangements and the way instruments play under and around and beyond the singers‘ lines.