John Jurgensen

John Jurgensen appears in the following:

Road To Recovery

Friday, February 04, 2011

Eminem’s latest release, “Recovery,” is up for 10 Grammy nominations this year. It was the top-selling album of 2010, with 3.4 copies sold. As a result, it might just be the biggest “rehab album” of all time. John Jurgensen of the Wall Street Journal joins us for a look at this time-honored artistic statement. And Justin Daniels, founder and president of the rehab facility Clarity Way, explains the role music can play in the rehabilitation process.

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The Return of Ms. Lauryn Hill

Monday, January 03, 2011

She hasn’t put a record out in almost a decade, but Lauryn Hill is back. The Grammy-winning rapper and singer has rarely even performed live in the past few years. But she’s right smack in the middle of a six-night stand in New York City.  Wall Street Journal reporter John Jurgensen joins us to explain the rapturous anticipation and anxious uncertainty that surrounds the return of this neo-soul icon.

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Oh, Mama, Should This Really Be the End?

Friday, December 10, 2010

Earlier this week, Wall Street Journal reporter John Jurgensen joined us to ask a provocative question from his recent story: Should Bob Dylan retire? Today: Jurgensen returns with cultural critic (and Dylan expert) Greil Marcus to revisit the issue -- and responses from our listeners.

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Should Bob Dylan Retire?

Tuesday, December 07, 2010

As a generation's music icon (and his fans) enter their golden years, the question must be asked: Should Bob Dylan retire? Wall Street Journal reporter John Jurgensen joins us to take a look at whether, at age 69, rock's poet laureate should leave the stage.

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Re-Recording Old Hits

Friday, October 29, 2010

Singer songwriters like Suzanne Vega, Carly Simon and Squeeze are tapping new markets with re-recordings of their old hits. Wall Street Journal reporter John Jurgensen joins us to explain why.

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Overexposure at Concerts

Friday, October 08, 2010

These days when the house lights go down on a concert venue, the glowing screens of cell phones come out. As more and more concertgoers use their smartphones to capture their favorite bands in the act, a debate is emerging. Many concertgoers – and musicians – find the constant documentation frustrating and distracting, while others simply want to take a piece of the show home with them. John Jurgensen, a reporter who covers music for the Wall Street Journal, explains why this tiny gadgetry is causing such a big storm.

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The Changing Art of Songwriting

Monday, August 16, 2010

In Nashville, teams of songwriters work in offices writing potential hits for country crooners. On Broadway and in opera, librettists and lyricists carry on an age-old tradition. Hip-hop keeps alive the art of rhyming while singer-songwriters shape personal reflections into prose. Today, we look at the art of songwriting as it relates to various corners of a rapidly splintering music industry.

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It's All in a Name

Monday, June 28, 2010

Of the 1.4 million artist names tracked by a music industry database, 18 bands are named “Bliss.” Fifteen bands christened themselves “Mirage.” And two bands in Brooklyn share the moniker “Discovery.” Today: a look at how the digital revolution has made naming a band more difficult. We’re joined by John Jurgensen of the Wall Street Journal and Jonathan D. Reichman of the law firm Kenyon & Kenyon LLP. This is a repeat edition of Soundcheck.

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It's All in a Name

Friday, February 19, 2010

Of the 1.4 million artist names tracked by a music industry database, 18 bands are named “Bliss.” Fifteen bands christened themselves “Mirage.” And two bands in Brooklyn share the moniker “Discovery.” Today: a look at how the digital revolution has made naming a band more difficult. We’re joined by John ...

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Making the Perfect Road Movie Soundtrack

Thursday, April 03, 2008

The new Wong Kar Wai film "My Blueberry Nights" features the acting debut of singer-songwriter Norah Jones and a soundtrack custom-built for a road trip. Songs by Jones, Cat Power and Cassandra Wilson turn up in the movie, and Ry Cooder composed the score. We talk about the soundtrack with ...

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