I first heard Philip Glass in 1971 at one of his rehearsals in a loft on the Lower East Side in New York City. I went with a few other artists and we lay on the floor while he and his band played Farfisa organs at mind-melting volumes. These rehearsals often lasted for several hours and it was possible to drift to many different mental places. One of the regulars at the rehearsal was the sculptor Sol Lewitt, who said, “I do my best work at Phil’s rehearsals.”

New Yorkers had a range of reactions to 9/11; some decided to leave the city in the weeks and months after the attacks, others felt the need to stay. We’ll speak with musicians Laurie Anderson, Joan Osborne, and Dar Williams about how they felt about 9/11 and their decisions to either keep living here or to move away.

We’ll also take calls from listeners, share your story below!

Laurie Anderson is many things – songwriter, violinist, electronic musician, vocalist. But she is first and foremost a storyteller. Her latest work, Delusion, is about memory and identity, told with her typical blend of wit and wisdom. She’ll play live in the studio.

Laurie Anderson performs a piece from her new show, "Delusions," live in Studio 360.

From a car horn symphony, to an artist residency with NASA, to Tuvan throat-singing, the performance artist Laurie Anderson has no boundaries when it comes to making music. Now, with four decades of composing and performing behind her, Anderson tells Kurt about her new album Homeland, ...

In her modern opera, Songs and Stories from Moby Dick, Laurie Anderson compares two great sagas about America — Moby-Dick and Star Trek.

The composer and performer Laurie Anderson was so taken with Moby-Dick, she composed a strange, cool, modern opera called Songs and Stories from Moby-Dick. Anderson tells us how Melville hooked her in the first few pages. Thanks to KCRW's Morning Becomes Eclectic.