Lars Gotrich appears in the following:
Wednesday, November 19, 2014
Cretin returns with a ferocious grindcore chug-a-lug that hits like a steel-toe boot to the shins, complete with guitar and bass solos that blast it wide open.
Thursday, November 06, 2014
Borbetomagus' Jim Sauter stabs at his feedback-ridden sax while Oneida's Kid Millions enters a manic headspace with hydra-armed drum work. It's improvised mayhem, but it seems to grin from ear to ear.
Thursday, October 30, 2014
As a solo artist, Damian Master is unbound by the metal in his catalog. "Born To Ruin" contains his most anthemic statement of purpose yet, curled under a swaggering riff and his fire-spitting bark.
Wednesday, October 29, 2014
As outrageous power-pop hooks go note-for-note with a series of ecstatic 8-bit blips, the soulful coo of Elaiza Santos nicely offsets Crying's penchant for playful excess.
Monday, October 27, 2014
Aphex Swift is a charming table flip that teeters between the sweet and the sinister: a little Nashville twang with a small dose of digital terror.
Thursday, October 23, 2014
Soused matches Walker's spellbinding compositions and voice with Sunn O)))'s metallic abyss. Like the album, Gisèle Vienne's short film is bewildering and fraught with terror that's unspoken.
Wednesday, October 22, 2014
This catchy pop-punk song has a wistful quality befitting a desire to cling desperately to youth.
Tuesday, October 21, 2014
The D.C. instrumental rock band's hefty track sends vibrations through the chest. Black Clouds' melodies are tastefully driven through what's surely a spaceship-console-worthy rack of effects pedals.
Tuesday, October 21, 2014
The Baltimore shoegaze band bends space with a seismic guitar, washes it in a mess of crashing cymbals and coos sweetly in a dreamy pop song.
Sunday, October 19, 2014
With its roots in punk and heartland rock, LP3 is a rattling, unpinnable record that doesn't know when to stop baring its soul.
Wednesday, October 08, 2014
Like Giant Claw's world of chopped-and-screwed R&B and Windows start-up screens, the video for "DARK WEB 003" follows an impossible logic — and it's oddly comforting.
Monday, October 06, 2014
Part bummer Beach Boys, part Twin Peaks soundtrack, Mount Eerie's backing band sounds like the moment before waking, when images blur into a glassy-eyed soup.
Tuesday, September 30, 2014
If Mr. Mister's atmospheric ballad "Broken Wings" had been written for a proggy space opera, it might sound something like this cyberpunk slow jam.
Sunday, September 28, 2014
In the late '80s, the Birmingham duo made guitar-pounding, drum-machine-and-bass industrial metal capable of melting Terminators. This is classic Godflesh, unadorned and even flayed in its rage.
Tuesday, September 23, 2014
In a slowly enveloping track for harp, guitar and synth, director Naomi Yang (Galaxie 500, Damon & Naomi) explores the "remnants of what has been lost and what remains."
Monday, September 22, 2014
Amalie Bruun, the Danish musician behind the atmospheric black-metal project Myrkur, communes with the forest and summons the oceans.
Sunday, September 21, 2014
Electric Wizard has spent two decades playing ridiculously heavy, misanthropic doom metal. On Time To Die, the band gets more room to explore than ever.
Wednesday, September 17, 2014
Sure, Beach Slang's got a Goo Goo Dolls thing going on. But the shimmering "Dirty Cigarettes" feels lived-in, even ugly, by comparison.
Friday, September 12, 2014
The Louisville post-hardcore band always had some caustic melody to it. But the band's new album explodes its palette with the boomy, gloomy atmospheres of The Cure.
Wednesday, September 10, 2014
Circuit Des Yeux, White Lung, SubRosa, Obnox, and others sit for GIF portraits during Raleigh, N.C.'s Hopscotch Music Festival, an event that celebrates its homegrown music scene.