John Powers appears in the following:
Monday, November 20, 2017
Maya Jasanoff weaves together biography, history, literature and her own travels in a new book about the globe-trotting author. Reviewer John Powers says Jasanoff's portrait of Conrad is terrific.
Wednesday, October 25, 2017
The eight stories in Carmen Maria Machado's new collection feature women in extremis — physical danger, psychological meltdown, treacherous love or close encounters of a ghostly kind.
Friday, September 22, 2017
Emma Stone stars as King in a breezy new film that carries us back to '73, and the heyday of the women's lib movement. Critic John Powers says the message of Battle of the Sexes still resonates today.
Friday, September 08, 2017
The TV series' second season takes place four years after its first, and begins with an unknown Asian woman's body washing up (in a suitcase) on a beach near Sydney.
Tuesday, August 22, 2017
The 1950 film starring Humphrey Bogart and Gloria Grahame was adapted from a lesser-known 1947 novel by Dorothy B. Hughes, who belongs in the crime-writing pantheon. The novel's just been re-released.
Monday, August 07, 2017
Newly released on DVD and Blu-ray, the 1985 film follows a well-heeled LA couple who decide to become free-spirited wanderers. Critic John Powers says Lost In America is a comedy for the ages.
Monday, July 17, 2017
Two entitled young women vacationing on a chic Greek island get involved with a mysterious stranger in Lawrence Osborne's new novel. Critic John Powers calls it a "seductively menacing new thriller."
Friday, June 09, 2017
Mark Kidel's new Showtime documentary tells the story of the man behind the debonair star. Off screen, Grant was "lonely, insecure and haunted by fears of being abandoned," says critic John Powers.
Friday, May 26, 2017
Édouard Louis' autobiographical novel is the story of a young man coming of age in a downtrodden French village. Critic John Powers calls it a "bulletin from the enraged heart of Le Pen country."
Friday, May 05, 2017
Laura Poitras began filming the man known for cyber-releasing classified documents in 2011. Critic John Powers says the resulting documentary is an intimate take on an enigmatic rebel.
Tuesday, April 18, 2017
Israeli filmmaker Joseph Cedar centers his new movie on a wannabe dealmaker, played by Richard Gere. Critic John Powers calls Norman a mordantly funny drama with a "dazzlingly revelatory" ending.
Thursday, April 06, 2017
Valeria Luiselli's new book is based on her experiences working as an interpreter for Central American child migrants seeking entry to the U.S. Critic John Powers calls it "fair minded and expansive."
Wednesday, February 22, 2017
Set amid the political swirl of late '60s Chicago, Emil Ferris' graphic novel debut reflects on race, class, gender and the holocaust. Critic John Powers says readers won't want to put it down.
Wednesday, February 15, 2017
The new documentary by filmmaker Ceyda Torun focuses on seven cats as they make their way around the Turkish city. Critic John Powers calls Kedi a "pleasurable refuge from our daily cares."
Friday, February 10, 2017
Fifty years after its debut, a restored version of Senegalese director Ousmane Sembène's first film is now available. John Powers says Black Girl feels "as timely today as it did half a century ago."
Thursday, January 12, 2017
Set in 1979 Santa Barbara, Mike Mills' new film is the story of a teenage boy and the three women who teach him about life. Critic John Powers calls it an "amusing, deeply-felt work."
Wednesday, December 14, 2016
Every year, Fresh Air critic John Powers is haunted by all the terrific things he didn't get a chance to talk about on air. As 2016 winds down, he "un-haunts" himself with these six recommendations.
Wednesday, November 30, 2016
Critic John Powers discusses the Italian documentary, Fire at Sea, and the novel, These Are the Names. The works take very different — but nonetheless poignant — approaches to the refugee situation.
Tuesday, November 08, 2016
Kelly Reichardt presents the interlocking lives of several Montana women in her new film, Certain Women. Critic John Powers calls it a work of "quiet restraint and unhurried rhythm."
Friday, October 21, 2016
Ava DuVernay's new film takes its name from the amendment that abolished slavery, but allowed for prisoner servitude. Critic John Powers says 13th puts forth a searing interpretation of U.S. history.