Jad Abumrad appears in the following:
Friday, June 22, 2012
UPDATE: A more recent statement regarding Jonah Lehrer can be found here.
Recently, our friend and contributor Jonah Lehrer has come under fire for what some have called "self plagiarism."
The notion that Jonah is a "plagiarist" is beyond ridiculous. And the way in which some journalists are jumping up and down, claiming he's no longer a "writer" but an "idea man" or an example of "male arrogance"...that's just plain ugly. There are some useful conversations that can come from this, namely, what does it mean to be a print journalist in the 21st century? What are the rules? I'll let the print journalists have that conversation.
What I personally hope doesn't get lost in all the hand waving is Jonah Lehrer's body of work. He's one of the most stunningly original voices I've ever encountered. I knew it the moment I first read Proust Was A Neuroscientist. That's why we've had Jonah on the show 17 times, by my count. And that's why we will have him on again, and again, because he explores and explains with the best of them. And we like to work with the best.
Friday, May 25, 2012
Recently, Radiolab host Jad Abumrad started wondering about the legend of bluesman Robert Johnson. You know, the one where he goes down to the crossroads and sells his soul to the devil in return for unnatural guitar ability. What you don’t know, and what Jad found out, is that the truth is far stranger than the fiction. He’ll join us to share the story.
Friday, May 25, 2012
We spent the first part of the show talking about the blues, and bluesman Robert Johnson. But what about the yellows and the reds and the rest of the colors? Well, Jad Abumrad and his Radiolab cohorts have been thinking about color recently -- and in fact asked a number of bands to record versions of songs about the various colors. We hear a few excerpts.
Thursday, December 08, 2011
Friday, October 07, 2011
"La Verdad," by Juana Molina
Juana Molina lands on my very short list of Awesome. Nobody sings like her -- that raspy ever-so-slightly-but-delightfully-flat tone. And very few people make music that's simultaneously so inviting but so completely formless. Well, I shouldn't use the word completely. There's form there. It just not the usual snoozy song-structurey form. Her songs ebb and flow and and meander from one section to the next like water, organic but full of unexpected turns. Like sometimes she'll ditch the words and start to vocalize like a cat. I don't know why, but it works. Hope you dig this one. It's one of only about forty songs that frequent my list of Awesome.
Thursday, October 06, 2011
Friday, August 19, 2011
"I Saw the Bright Shinies," by The Octopus Project
A specific memory colors this song for me. About five years ago, my wife and I traveled to Japan for a wedding, and during the ceremony, the couple played a photo slide show of their Happy Moments (beach kissing, the proposal, painting the house, etc)... sort of your classic slightly-cheesy but sweet wedding video. But what made this one over the top beautiful and moving and at the same time funny was the accompanying music. This song. "I Saw the Bright Shinies." I downloaded it that night, and then a whole bunch of others from The Octopus Project. They're that rare math rock band that still remembers to rock. And they have a good sense of humor. I hope you enjoy this song. If you like it, definitely check out their new album, Hexadecagon.
Wednesday, August 03, 2011
"Infra 1," by Max Richter
I’m really proud to feature Max Richter for this week’s download. Max is my favorite film composer. He writes these beautiful small pieces that take you into the emotional depths of a moment or a character.
I use him as a guide for scoring this show. Constantly. Like: when I’m stuck scoring a piece and I just can't get the mood or feeling right (which is often) what I’ll do, to hit the reset button, is listen to Max Richter’s 24 Postcards In Full Colour and ask myself, what would Max do here? Sparse piano cords? Subterranean strings?
His music seems to live in the place our stories are always striving to get to – awe, mystery, transformation, illumination. Yeah, I’m pretty much a Max Richter-hack.
"Infra 1" is the first track from an album he released last year called Infra. It’s on the quieter, more fragile end of his spectrum, which is the stuff of his I tend to like most. I hope you enjoy this piece.
Wednesday, July 27, 2011
"Optimist," by Zoe Keating
Zoe Keating is a friend of the show. We've performed live with her around a dozen times, give or take. And on our last tour (Symmetry), Zoe would often play this piece, Optimist, which she wrote for her son Alex when he was negative four months old. Every time, the audience fell into a trance. Those are the moments from the tour I really remember, getting to sit quietly on stage and watch the audience watch Zoe.
Wednesday, July 20, 2011
"Faking The Books," by Lali Puna
When I first heard this song, I went into one of those strange deliriums that happen to me once a decade, and I played the song fifteen times in a row, no joke. I’ve since heard from a few other people who’ve had the same reaction. There’s something narcotic about the way the song builds, and about what’s being described – people trying to fake their way to being good. But I won’t bore you with my thoughts. Just listen to it. Let me know if this song does to you what it does (still does, now 7 years later) to me.
Friday, June 17, 2011
Monday, March 21, 2011
Sunday, March 20, 2011
This week, Cued Up on Q2 presents a concert of tech-savvy classical intimacy with Zoë Keating and Todd Reynolds, along with an interview with the artists led by Radiolab's Jad Abumrad.
Wednesday, February 23, 2011
Sunday, July 04, 2010
Tuesday, June 1, 2010
AWE-MAGEDDON will be a curiosity cabaret featuring one or two of the world's most creative scientists, musicians, philosophers, actors and folks who can’t even really be pegged in a single word. We'll be transported to a place where we are confused, amazed, confounded, inspired or flabbergasted.