Fred Plotkin appears in the following:
Tuesday, April 15, 2014
In observance of World Voice Day (April 16), blogger Fred Plotkin asks several physicians, writers and singers about maintaining vocal health during periods of travel or vocal use.
Wednesday, April 09, 2014
Parisians often like to hate on their charmless, 1980's opera house, the Opéra Bastille. But Fred Plotkin believes the house has been a boon to the surrounding area and has served many productions well.
Thursday, April 03, 2014
Visits to London are bracing because it is a place where ideas ferment and people seem engaged with culture as a means of understanding who they are, writes Fred Plotkin.
Friday, March 28, 2014
Now that brutal hibernal storms may finally be a thing of the past, Fred Plotkin says he can venture into a subject he has deferred for a long while: Schubert’s extraordinary song cycle, Die Winterreise.
Tuesday, March 25, 2014
Jean-Philippe Rameau, who died 250 years ago this September 12, composed more than 30 works for the stage. A few are coming to New York, and it's about time, writes Fred Plotkin.
Thursday, March 20, 2014
As the Operavore stream devotes its Throwback Thursdays focus on the Italian baritone Tito Gobbi (1913-1984), Fred Plotkin offers this appreciation of the singer's career.
Tuesday, March 18, 2014
What is it the most beautiful tenor aria of all? Operavore's Fred Plotkin ventures a list of candidates, and supplies clips of the arias all sung by Placido Domingo.
Wednesday, March 12, 2014
Claudio Abbado’s passing set Fred Plotkin to thinking about conductors whom he would love to hear leading performances at the Met. Here are a dozen standouts.
Thursday, March 06, 2014
Heroes in opera, theater and literature are characters created by insightful writers or composers. The real heroes are people in everyday life whose heroism too often goes unnoticed and unremarked upon, writes Fred Plotkin.
Tuesday, March 04, 2014
Dominique Meyer, the director of the Vienna State Opera, talks with Fred Plotkin about the company's foray into on-demand video streaming.
Monday, February 24, 2014
There are many singers, especially young ones, who have big healthy voices and sing loud all the time. This is a problem, writes Fred Plotkin. Here's why.
Friday, February 21, 2014
"Vienna is contradictory to be sure," writes Fred Plotkin. "It is a city of amazing art, creativity and innovation, but also of a provincialism that is, most of the time, naively inward-looking."
Monday, February 17, 2014
From Werther to Faust, the writings of Johann Wolfgang von Goethe have impacted literature and opera for more than 200 years. Operavore blogger Fred Plotkin dives into Goethe's influences in light of a new Werther production.
Wednesday, February 12, 2014
"The season is an engaging mix of standard repertory and unusual offerings to please regulars, newcomers and those with more experimental inclinations," writes Fred Plotkin.
Thursday, February 06, 2014
This season, blogger Fred Plotkin went to three performances of the Met's production of Tosca, each with a different soprano in the lead role. It stimulated new insights on this controversial production.
Wednesday, January 29, 2014
On January 29, two days after a moving ceremony in memory of Claudio Abbado, Teatro alla Scala in Milan honors another artist, Franco Corelli. Fred Plotkin gives an appraisal of the late tenor.
Friday, January 24, 2014
If you are a younger reader whose operagoing has been based mostly on seeing physically attractive, even-tempered singers, check out the classic recordings of Christa Ludwig, writes Fred Plotkin.
Tuesday, January 21, 2014
Claudio Abbado was a person of strong political and social beliefs, and sought to democratize the audience experience at La Scala during his 18 years there, writes Fred Plotkin in this reflection.
Thursday, January 16, 2014
After a glorious career of singing operas and songs in all styles and from four centuries, Marilyn Horne set up a foundation to keep song recitals alive. Fred Plotkin shares his admiration for Horne at 80.
Monday, January 13, 2014
The Wagner and Verdi bicentennials in 2013 reinforced certain negative attitudes about the two composers, writes Fred Plotkin. But the Britten centenary was filled with many revelations.