Fred Plotkin appears in the following:
Tuesday, July 30, 2013
No matter how extravagant the vocal acrobatics might be, if singing—whether opera, gospel or just about anything else—is not anchored in genuine sentiment, it will ring as heartless and false, writes Fred Plotkin.
Friday, July 26, 2013
Wagner's relationship with Otto Wesendonck, his most important financial backer, and the young and beautiful Mathilde Wesendonck, who became his most important muse, made for real drama, writes Fred Plotkin.
Wednesday, July 24, 2013
Zürich, Wagner's base for nine years, became a place where he could reflect upon, and amplify, his ideas and theories, writes Fred Plotkin.
Friday, July 19, 2013
Operavore blogger Fred Plotkin continues his discussion of the contentious topic of amplified opera singers with microphones and how it affects our senses.
Tuesday, July 16, 2013
Operavore blogger Fred Plotkin reviews the issue of microphones and amplification during opera performances. Should they be used? Should they be disclosed to those attending?
Thursday, July 11, 2013
This is the first of what will be an occasional series about prima donnas, those irresistible singers whose talents and larger-than-life personalities never fail to fascinate and inspire opera fans.
Monday, July 08, 2013
Weber's Der Freischütz has been unjustly ignored outside of the German-speaking world, writes Fred Plotkin. Yet this opera foreshadows much of what followed.
Wednesday, July 03, 2013
An opera about George III, who reigned from 1760 to 1820, was written by Peter Maxwell Davies in the late 1960s and is called Eight Songs for a Mad King. This 33-minute work is a searing account of madness.
Monday, July 01, 2013
Soprano Alida Ferrarini, who died last week, was one of the most idiomatic interpreters of the light soprano repertory, mostly in Italian, writes Fred Plotkin in this appreciation.
Friday, June 28, 2013
Blogger Fred Plotkin addresses some basic ideas for the singer (and, to a lesser extent, all self-employed creative people) about how to manage your life so that art and commerce can happily coexist.
Tuesday, June 25, 2013
Most aspiring opera singers must find ways to pay the bills and student loans while aiming for the stage. Some get day jobs, more than a few go to Europe. Blogger Fred Plotkin considers the operatic paycheck.
Friday, June 21, 2013
Singers lead a rough life. They travel a great deal, being exposed to airplanes, jet lag, unfamiliar food, and people with germs who gush too long and too close. The result: a nonstop battle against sickness.
Tuesday, June 18, 2013
"I have heard more than a few conductors remark, when asked if there are any compensations for the inevitable fact that we are all getting older, that for a maestro his 70s can be a golden time," writes Fred Plotkin."
Friday, June 14, 2013
Operavore blogger Fred Plotkin writes of the State Choir of Latvia which he heard while attending a concert at Lucern, Switzerland.
Tuesday, June 11, 2013
Operavore blogger Fred Plotkin's thoughts on relevance in opera in an art form that is constantly being reframed in a world where events unfold at an accelerated rate.
Friday, June 07, 2013
When the announcement came that Alexander Pereira had been selected as the next chief of Milan’s Teatro alla Scala, smartphones all over the music world commenced to vibrate ceaselessly.
Tuesday, June 04, 2013
If you stroll down Philadelphia’s Broad Street, one of the city’s grand thoroughfares, you will notice that one prime section, not far from City Hall, is known as the Walk of Fame. It honors illustrious Philadelphians in the arts with their names in stars on the pavement. This is a positive indication of the values of this historic cradle of the American Republic.
Friday, May 31, 2013
"There has been a stunning revival of opera in unusual places this year, much of it in spring and summer, a period when opera offerings were once meager," writes Fred Plotkin. Here are a few highlights.
Tuesday, May 28, 2013
"I used to have a slight depression when the Met ended its season," writes Fred Plotkin. But a busy crop of smaller opera companies serves as a needed pick-me-up.