Fred Plotkin appears in the following:
Friday, January 11, 2013
A new museum dedicated to Richard Wagner opens this weekend near Dresden. Located in a former hunting lodge, it opens as the world gets ready to mark his 200th anniversary, reports Fred Plotkin.
Tuesday, January 08, 2013
"When technological devices demand our attention and we feel we are missing something if we don’t constantly check for updates, then we use our time and our senses in different ways," writes Fred Plotkin.
Friday, January 04, 2013
"While not everything works ideally in any opera company, the Royal Opera has been on a roll," Fred Plotkin reports. But what does the future hold at a time when the company's chief executive is leaving?
Friday, December 28, 2012
One of its arias became the the most memorable scene in the 1993 film Philadelphia. But far too many opera lovers aren't familiar with Umberto Giordano’s verismo gem, writes Fred Plotkin.
Monday, December 24, 2012
This glorious city, capital of the nation that gave birth to opera, has long been considered second-tier musically when compared to Milan, Venice and Naples. All of a sudden, though, that has changed.
Monday, December 17, 2012
Life imitates art at La Scala, writes Fred Plotkin. "Lohengrin tells the story of a besieged nation whose leadership is fragile and whose freedom is imperiled."
Wednesday, December 12, 2012
A London-based organization called the Opera Awards Foundation announced plans last month for an annual awards gala. Operavore blogger Fred Plotkin considers potential recipients.
Friday, December 07, 2012
"This Art Deco theater is, without a doubt, one of the most beautiful places in Paris to attend a performance," writes Fred Plotkin. And it is a good thing that it was not destroyed during a famous 1913 riot.
Wednesday, December 05, 2012
Most of the works of the great bel canto composers — Rossini, Bellini, Donizetti — are seldom performed because few singers are ever up to the task, writes Fred Plotkin. But one such rarity arrives in New York Wednesday night.
Friday, November 30, 2012
"When, about ten months ago, I began my Montsalvatge immersion, my approach was to listen to any music I could find," notes Fred Plotkin. "Then, recently, it came to my attention that an exemplary biography has just been published."
Tuesday, November 27, 2012
Opera fans can be woefully sloppy, writes Fred Plotkin, taking their seats with rumpled coats and multiple shopping bags in tow. Theaters make matters worse by not providing adequate coat check facilities.
Tuesday, November 20, 2012
Berenice is suddenly everywhere, writes Fred Plotkin. "In the past week I have encountered her in London, at Carnegie Hall and, Tuesday night she was at the Metropolitan Opera."
Friday, November 16, 2012
A visit to the Handel House Museum, the composer's former home in London, inspires blogger Fred Plotkin to consider his place in the operatic canon.
Tuesday, November 13, 2012
"Michelangelo is to art what Beethoven is to music," writes Fred Plotkin. "Beethoven’s music is so life-affirming and we get a sense of the greatness of human potential in his music and in Michelangelo’s art."
Saturday, November 10, 2012
"Opera in English is particular, and often challenging, because our vowels are not always beautiful and unfriendly consonants tend to intrude," writes Operavore blogger Fred Plotkin.
Wednesday, November 07, 2012
"The idea of optimism becomes difficult in difficult times," writes Fred Plotkin. "And yet it is a renewable tonic, one that is not based on naiveté as much as belief."
Friday, November 02, 2012
The Russian maestro speaks with Fred Plotkin about a range of topics, including concert hall construction in St. Petersburg, Russia, the stigma around Shostakovich and the benefits of constant touring.
Tuesday, October 30, 2012
Spells, potions, black cats, tarot cards and incantations are the stuff of great opera plots. Fred Plotkin considers some of the great scary characters in the opera canon.
Friday, October 26, 2012
Baritone Thomas Allen emphasizes how both the music of Mozart and the words of da Ponte express a duality that must be captured by singers as both musicians and actors, writes Fred Plotkin