Charles Herman

Economics Editor for WNYC Radio

Charles Herman appears in the following:

Review: The Quiet Power of 'Man From Nebraska'

Sunday, February 19, 2017

Tracy Letts' Pulitzer Prize Finalist for Drama from 2004 is about a man in crisis. But it is much more than that.

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Review: 'Escaped Alone' Captures the Current Political Moment

Saturday, February 18, 2017

Caryl Churchill's new play now at BAM was written before the election, even before Brexit, but it taps into the inexpressible, simmering anger that can feel widespread.

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Review: Glen Close Shines in "Sunset Boulevard'

Saturday, February 11, 2017

She returns to the role of Norma Desmond after winning a Tony for her performance 22 years ago as the aging, silent screen star.

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Review: In "Fade," Two Immigrants Square Off

Saturday, February 11, 2017

Playwright Tanya Saracho has big ambitions here: race, class and immigration.

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Review: 'Yen' Is a Remarkable Look at the Humanity of Young Criminals

Saturday, February 04, 2017

Anna Jordan's play starring Oscar nominee Lucas Hedges does the extraordinary: It creates empathy for people we otherwise would likely have no empathy for.

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REVIEW: August Wilson's 'Jitney' Roars onto Broadway

Saturday, January 21, 2017

As directed by Ruben Santiago-Hudson, this magnificent production is one of the best shows to be staged this year.

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REVIEW: 'Beauty Queen of Leenane' Strikes at the Heart

Saturday, January 21, 2017

A fierce, dark comedy is ripe with humor — and horror.

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Review: Cate Blanchett Is Explosive in "The Present"

Saturday, January 14, 2017

Try to take your eyes off Blanchett in this adaptation of an early Chekov play. You can't. 

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Review: Daniel Craig and David Oyelowo Spark Fire in 'Othello'

Sunday, January 08, 2017

A bare-knuckled, intimate production from director Sam Gold, who won the Tony for "Fun Home," is now at New York Theatre Workshop.

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January Might Be Cold, But the Arts Festivals Are Hot

Saturday, January 07, 2017

"Hundred Days," now at The Public Theater is part of the "Under the Radar Festival," just one of many performances taking place during the many festivals happening this month.

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Review: 'In Transit' Is a Love Letter to the Newcomers' New York

Saturday, December 17, 2016

The subway is the real star in this Broadway musical.                                                                                            

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Review: 'Last Black Man' Is a Stylized Paean to Black Lives Matter

Sunday, November 20, 2016

Suzan-Lori Parks' play may have been written in 1990, but it's still relevant today.

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Review: 'Sweat' Is the New American Play We Need Right Now

Saturday, November 05, 2016

Pulitzer Prize-winning playwright Lynn Nottage's play explores what happens to group of factory workers and their friendship when the factory closes.

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Review: Leave this 'Front Page' at the Newsstand

Sunday, October 30, 2016

Even Nathan Lane and John Slattery can't make this revival a "must-see."

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Review: In 'Plenty,' a Woman, and a Country, Fall Apart

Saturday, October 29, 2016

Peace and plenty — that's what the British expected for their people after World War II. But in David Hare's ironically-titled 1978 play, "Plenty" is not what the British get.

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Review: No False Note in This 'Falsettos'

Saturday, October 29, 2016

This musical about a gay man trying to build an unusual family should feel like a period piece. Yet under the direction of James Lapine, it sparkles.

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Review: New 'Cherry Orchard' Doesn't Fully Bloom

Saturday, October 22, 2016

Diane Lane is luminous, but this new adaptation from "The Humans" playwright Stephen Karam fails to connect.

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Review: 'Heisenberg' Is a Quirky Love Story

Saturday, October 15, 2016

 Simon Stephen's play focuses hard on the small interactions between two people — and is entirely unpredictable.

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Trump's Tax Breaks Are the Industry-Wide Norm

Monday, October 03, 2016

New York Times columnist James Stewart says most real estate developers don't pay taxes. 

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REVIEW: Magic Show 'Verso' Moves Beyond Slight-of-Hand

Sunday, October 02, 2016

Portugese magician Helder Guimarães wraps his magic in an idea: What reality is depends on your perception of the facts. 

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