New York City-based bassoonist and composer Brad Balliett is gaining a reputation for unusual and thought-provoking programming, performance and composition. As a bassoonist, Brad performs as a member of several groups around New York City, including The Declassified, Metropolis Ensemble, Signal, the Sinfonietta of Riverdale, Anthony Braxton's Trillium Orchestra and Ensemble ACJW, and is a founding member of The Declassified, DZ4 and the Deviant Septet.
Brad has appeared as principal bassoonist with the Hartford Symphony, Houston Symphony, American Ballet Theater, and the Wordless Music Orchestra, and has performed with the New York City Ballet, International Contemporary Ensemble, International Sejong Soloists, Sequitur, and Argento New Music Project. Devoted to expanding the bassoon's role in contemporary music, Brad performs frequently on the electric bassoon and has performed alongside Zakir Hussain and Miguel Zenon.
Raised in Massachusetts, Brad graduated summa cum laude from Harvard University in 2005, where he studied composition with Elliot Gyger and John Harbison. He completed a Master's degree in bassoon performance as a student of Benjamin Kamins at Rice University, and spent the following year playing bassoon in the Houston Symphony. A devoted teaching artist, Brad is a performer and teacher for Carnegie Hall's Musical Connections and the New York Philharmonic's School Partnership Program. Brad completed a fellowship through Carnegie Hall's program The Academy in 2009, through which led composition projects for students in the South Bronx. More information can be found at bradballiett.com.
Brad Balliett appears in the following:
Thursday, December 11, 2014
Saturday, December 06, 2014
Thursday, December 04, 2014
Thursday, November 27, 2014
Thursday, November 20, 2014
Thursday, November 13, 2014
Thursday, October 16, 2014
Thursday, October 02, 2014
Thursday, September 18, 2014
Thursday, September 04, 2014
Thursday, August 21, 2014
Thursday, August 14, 2014
Continuing their series of Guerrilla Composer Portraits, in which a composer is featured without their foreknowledge or permission, the Brothers Balliett set their sites on the fascinating American composer Richard Festinger. Listen today at 3 pm.
Thursday, August 07, 2014
The Brothers Balliett operate on a 10-point manifesto that concludes with "We Believe In the Groove." Today at 3 pm, join them for an hour all about groove in contemporary music, and the different kinds of groove that can be achieved by different voices.
Thursday, July 31, 2014
So, you fancy yourself an expert on the music of innovative American composer George Perle, do you? Join the Brothers Balliett today at 3 pm for a deep dive into the Pulitzer Prize-winner's music to see how much you really know.
Thursday, July 17, 2014
Today's show puts the spotlight on one of America's most interesting and artistically innovative periods: the post-war years, stretching from the 1950's to the 1970's. But that's not all: today's focus is ALSO about the instrument that every composer must write for, probably again and again: the PIANO.
Thursday, July 10, 2014
Did you ever consider taking your favorite toy as inspiration for a new composition? We hope you did, but if not, don't worry: this Thursday at 3 pm, dive into pieces by composers, such as Nathan Davis and Sofia Gubaidulina, who took inspiration from childhood trinkets like toy pianos.
Thursday, July 03, 2014
Continuing a series of portrait concerts without their subjects' foreknowledge, advice, or permission, the Brothers Balliett explore the whimsical and fanfare-laden world of internationally-recognized composer Andrew Rindfleisch. Listen today at 3 pm.
Sunday, June 29, 2014
In a night of premieres during the NY Phil Biennial, composers Christopher Rouse, Peter Eötvös and Julia Adolphe heard their works performed in Avery Fischer Hall.
Thursday, June 26, 2014
We may think we know a lot about 20th century composers, but there are certain music makers who go unprogrammed and rarely discussed. Join the Brothers Balliett Thursday at 3 pm to dig into this sometimes-forgotten past.
Thursday, June 19, 2014
Let's face it. Some days you wake up and you say to yourself, "you know, this is just a FLUTE kind of day." Well, guess what, folks? Today is one of those days. We're taking a journey from solo flute through chamber music and clear out the other side into flute concerto territory. So buckle up and set your equalizers on "high."