Brian Zumhagen
Brian Zumhagen has been a weekend anchor at WNYC since 2003. His career in journalism started in 1993, with an internship in the press office of the German Green Party’s parliamentary delegation. Brian went on to spend the rest of the ‘90s working as a reporter, producer, and fill-in anchor at NPR member station KQED in San Francisco. He’s returned to Germany several times over the years for reporting projects. Most recently, he won a grant from the Arthur F. Burns Fellowship to produce radio features for the 20th anniversary of the fall of the Berlin Wall. Before coming to WNYC, Brian was a frequent contributor to PRI’s The World. He reported for the program on 9/11 and served as the show’s United Nations correspondent during the run-up to the Iraq war. Brian lives in Queens with his wife and children.
Comments [2]
During the 70's a nd 80's New York City had a vibrant and diverse community of artists who eventually created some of the most important art, literature, theater, film, and dance this country has ever seen. The creation of this art in NYC was largely due to one extremely important factor: RENT CONTROL and RENT STABILIZATION. Artists could work part-time jobs to cober their rent while having enough to work hard on their art...making NYC the greatest city in the world.
The continued war on rent control and the subsequent ousting of artists has created great stagnation in New York art. In fact, it has ironically become a city of upscale galleries and art museums that is antagonistic to artists.
Newer residents of Soho (i.e. RICH) wouldn't be living in Soho (Tribeca, Meatpacking District, Williamsburg, etc.) if it weren't for the artists who pioneered each of these neighborhoods and made them attractive to others with 'day jobs'. Would these people move to Soho in the 60s? Williamsburg in the 70s?
Buck up and allow an artist to live in your building.
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