Streams

This Week: Must-See Arts in the City

WNYC's Arts Datebook: September 29 - October 5

Thursday, September 29, 2011 - 12:00 AM

WNYC

Bulbous babes in Chelsea, masterful Indian paintings covering a span of 800 years, photos of New York City cops on the beat and eight contemporary Latin American artists. Not to mention a fair that's all about art books and a show devoted to Gotham on canvas and in pictures. It's a busy week in NYC. Here's what we've got in the hopper:

Lisa Yuskavage at David Zwirner Gallery Bulbous and distorted female figures primp, pose and stare out of acid-colored landscapes in the latest solo outing by this New York-based painter. Yuskavage burst onto the scene in the 1990s with baroque-surreal paintings of cartoony women that seemed to ooze equal parts sexuality and vulnerability. (This photo essay provides a good overview of her work.) Over the years, as her market values have gone up, and as legions of young pop surrealist painters have picked up on her style, Yuskavage’s figures seem to have gotten more slick. And they seem to have remained that way — which is a bummer. Her early works felt raw. These new ones, not so much. That said, the most interesting work in this show is the smallest — a demure, expressionist canvas that shows several Amazon-sized figures towering over a landscape at dusk. Through November 5, in Chelsea.

Wonder of the Age: Master Painters of India, 1100-1900 at the Metropolitan Museum of Art For centuries, Indian art has been studied as part of a period or a region. But this sprawling exhibit at the Met is looking to change that view. Featuring roughly 200 painted works, the show looks at the achievements of pioneering artists, figures such as Farrukh Beg, Blachand and Mansur, among others. Don’t miss the latter’s delicate portrayal of a chameleon. Through January 8, on the Upper East Side.

Jill Freedman, Street Cops at Higher Pictures In the wake of the Occupy Wall Street protests, there's a lot of talk going on in New York City and beyond about cops and what constitutes excessive force. Therefore, it may not be the ideal time to be shilling an exhibit that's all about the NYPD. But that's what I'm going to do here, largely because Freedman's photos are so darn compelling. To be certain, this isn't about the police force of today — it's about New York beat cops of the 1970s, when crime in the city was beginning to spiral out of control. For several years, Freedman followed officers from the Ninth and Midtown precincts as they did their duties: dealing with suicides, arresting drug dealers and tending to the aftermath of East Village bar fights. It's a sympathetic portrait of police work, but also an unflinching look at life on the streets of New York. Through October 29, on the Upper East Side.

Salvajes at Asya Geisberg Gallery Inspired by the Roberto Bolaño novel The Savage Detectives, this group exhibit features eight contemporary artists of Latin American origin, all of whom are dealing with themes of chaos, rebellion and authoritarianism in their work. As part of this Irvin Morazán, an artist known for creating fantastical junk headdresses, will stage a performance at the gallery this Friday at 7 P.M. Expect Latin hip-hop-flavored techno-punk weirdness. The show is up through October 22, in Chelsea.

New York, New York! 20th Century at the Katonah Museum of Art New York City has long served as a muse to its artists. This exhibit, drawn from the collection of the Norton Museum of Art in West Palm Beach, looks at the ways in which our city’s physical profile has been depicted by figures as varied as Childe Hassam, Edward Hopper and Diane Arbus. Also on view: Edward Steichen’s very moody shot of the Flatiron Building (always one of my favorites). Opens Sunday, in Katonah.

The NY Art Book Fair at MoMA PS1, in Long Island City A perfect spot for a weekend of artsy browsing and shopping, this venerable book fair features booksellers from around the country and the world trading in limited editions, one-offs, ephemera and other unique works produced by and about artists. Kicks off Friday, in Queens.

Jill Freedman's photos of police life in the 1970s are now on view at Higher Pictures. Shown here:
Courtesy the artist and Higher Pictures
Jill Freedman's photos of police life in the 1970s are now on view at Higher Pictures. Shown here: "I Got Ups, I Got Downs, I Got Cocaine," an image from 1979.
Courtesy the artist and Higher Pictures
"Small Change," 1979, — another image from Freedman's series. Really hoping these types of pants make a comeback.
Freedman didn't just photograph cops. She captures life all around them — in this case, a local runaway, whose picture she snapped in 1979.
Courtesy the artist and Higher Pictures
Freedman didn't just photograph cops. She captures life all around them — in this case, a local runaway, whose picture she snapped in 1979.
Freedman records joy, fear and rage in her images — not to mention despair. Shown here:
Courtesy the artist and Higher Pictures
Freedman records joy, fear and rage in her images — not to mention despair. Shown here: "Pieta," a photograph from 1978.
At the Met: Eight centuries of Indian masterpieces, including this delicate watercolor of a chameleon by Mansur, ca. 1595–1600.
The Royal Collection, Royal Library, Windsor Castle
At the Met: Eight centuries of Indian masterpieces, including this delicate watercolor of a chameleon by Mansur, ca. 1595–1600.
Also part of the
Private Collection
Also part of the "Master Painters" show is this late 16th century watercolor by ‘Abd-al-Samad, depicting two fighting camels.
Asya Geisberg gallery has gathered together works by eight artists of Latin American descent. Seen here: Manuela Viera-Gallo's
Courtesy the artist and Asya Geisberg Gallery
Asya Geisberg gallery has gathered together works by eight artists of Latin American descent. Seen here: Manuela Viera-Gallo's "Unfinished Business, Wash Away," 2011.
Irvin Morazán, an artist of Salvadorean origin, is known for adapting indigenous iconography in contemporary, tech-heavy ways, such as
Courtesy the artist and Asya Geisberg Gallery
Irvin Morazán, an artist of Salvadorean origin, is known for adapting indigenous iconography in contemporary, tech-heavy ways, such as "Stela of the Gods of New York," from 2011.
A still from Bolivian-born Claudia Joskowicz's eight-minute video
Courtesy the artist and Asya Geisberg Gallery
A still from Bolivian-born Claudia Joskowicz's eight-minute video "Round and Round and Consumed by Fire," also at Asya Geisberg.
At the Katonah Museum of Art, an exhibit devoted to New York City includes treasures such as this George Bellows painting,
Courtesy Norton Museum, West Palm Beach
At the Katonah Museum of Art, an exhibit devoted to New York City includes treasures such as this George Bellows painting, "Winter Afternoon (Riverside Park, New York City)," from 1909.
Courtesy Norton Museum, West Palm Beach
"August in the City," 1945, by Edward Hopper, also part of the exhibit at Katonah — which focuses on the way in which the city has been represented in the 20th century.
The NY Art Book Fair contains treasures big and small, handmade and machine printed. A browser's paradise — this weekend at PS1.
Courtesy of Printed Matter, Inc.
The NY Art Book Fair contains treasures big and small, handmade and machine printed. A browser's paradise — this weekend at PS1.
At David Zwirner, Lisa Yuskavage's trippy women occupy surreal landscapes — as in the canvas
Courtesy the Artist and David Zwirner Gallery
At David Zwirner, Lisa Yuskavage's trippy women occupy surreal landscapes — as in the canvas "Edge of Towners," from 2011.
For her latest solo gallery show, Yuskavage produced a triptych — seen here on opening night.
Edward Tahaney
For her latest solo gallery show, Yuskavage produced a triptych — seen here on opening night.

Tags:

More in:

Leave a Comment

Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.

Sponsored

About Gallerina

Carolina A. Miranda is a regular contributor to WNYC and blogs about the arts for the station as "Gallerina." In addition to that, she contributes articles on culture, travel and the arts to a variety of national and regional media, including Time, ArtNews, Travel + Leisure and Budget Travel and Florida Travel + Life. She has reported on the burgeoning industry of skatepark design, architectural pedagogy in Southern California, the presence of street art in museums and Lima's burgeoning food scene, among many other subjects. In 2008, she was named one of eight fellows in the USC Annenberg/Getty Arts Journalism Program for her arts and architecture blog C-Monster.net, which has received mentions in the Wall Street Journal and the New York Times. In January of 2010, the Times named her one of nine people to follow on Twitter. Got a tip? E-mail her at c [@] c-monster [dot] net

Feeds

Supported by