Monday, March 24, 2014
From the October, 1944 WQXR Program Guide:
The success which has attended the presentation on Broadway of new forms of music of great composers such as Bizet, Johann Strauss and Grieg has aroused a certain amount of resentment among music purists. As one of them remarked about Carmen Jones: "The orchestration of Bizet's music was expert and adequate, but I still prefer my Bizet straight, if you don't mind."
Friday, March 21, 2014
Last week we presented an allegory for retrieving audio, where we compared it to listening to a distant radio station. Of course, that is only half of what audio archivists do: the other half is to try to extend the reach of that signal into the future.
Friday, March 14, 2014
Picture yourself on a weekend retreat in a rented cabin in the woods, not far from your home. Although you love the isolation (no wi-fi, no TV), you would like to listen to your favorite radio show on Saturday afternoon¹. After looking around, you find a cheap clock radio in the bedroom and, at the appointed time, you fiddle with the (maddeningly small) tuner wheel, tune the (analog) dial, and hope that your favorite station's signal reaches your receiver's dinky little antenna.
Monday, March 03, 2014
From the October, 1942 WQXR Program Guide:
We asked Mrs. Lytle Hull to write this because she is in close touch with efforts to bring more and better music to the public. She is the Director of the Philharmonic Symphony Society, the President of the New Opera Company, and the Acting President of the Musicians Emergency Fund.
Thursday, February 27, 2014
Thomas Edison's 'right hand man' praises WNYC's static-free sound in this 1936 missive.
Monday, February 24, 2014
From the October, 1943 WQXR Program Guide:
The author of this peek behind the scenes at WQXR is one of our program editors. His specialty is the lighter classics, and he knows that kind of music from Arensky to Ziehrer. Among the WQXR programs Mr. Simon produces are Just Music, The Maxwell House Dinner Concert, The American Express Cavalcade of Music and The Operetta Scrapbook.
Monday, February 17, 2014
From the February, 1943 WQXR Program Guide:
Prof. Moore as head of the Music Department of Columbia University is not only famous as an educator but also well known as a composer and writer. He is the composer of "The Devil and Daniel Webster" and as the author of "From Madrigal to Modern Music," is particularly well qualified to write on this subject.
Wednesday, February 05, 2014
Monday, February 03, 2014
From the July, 1944 WQXR Program Guide:
Mrs. Sternberger has been a WQXR commentator for over four years, presenting her "Washington Front" program each Monday through Friday at 5:15 P.M. Before coming to radio she was a newspaper-woman whose travels had taken her to all major European countries, most of Asia and part of South America.
Because of the great interest in the news at this time,we have asked Mrs. Sternberger to give her views on what she feels a commentator's responsibility is to the listening public in this crisis.
Monday, January 27, 2014
From the September 1944 WQXR Program Guide:
On a certain afternoon in June, WQXR broadcast about eight minutes of the 30-minute 'Lyric Suite' by Alban Berg. As this is an ultra- modern work, we asked the audience to write and tell us what they thought of it and whether they wanted us to play it in full at some future time.
Thursday, January 23, 2014
In 1951, marijuana grew everywhere, with seven foot high plants sprouting in fields from Williamsburg to Cobble Hill to East New York. In that year alone, a division of the Department of Sanitation called the "White Wing Squad" confiscated and destroyed 41,000 pounds of the plants.
Wednesday, January 22, 2014
In this archival interview, the famed author defends his fiction against critics who to pan his writing, comparing his detractors to “circus geeks” who “bite the heads off chickens for the amusement of the rubes who walk by.”
Monday, January 20, 2014
In the April, 1942 WQXR Program Guide, distinguished American pianist and composer Abram Chasins wrote about the obligations of performers, composers and listeners to the art of music. In July, 1943 he was appointed WQXR's Music Consultant, and in 1946, its Music Director, a post he held for nineteen years.