Streams

Audio Download: Uptown with Peggy Guggenheim at Art of This Century

Friday, October 01, 2010

WNYC
Peggy Guggenheim (1898 - 1979) in 1953 (Photo by Frank Scherschel//Time Life Pictures/Getty)

There are galleries – and there are galleries. Peggy Guggenheim’s Art of This Century wasn’t your average display space. It had curving gumwood walls, turquoise floors, amoeboid furniture and bizarre mechanical contraptions. It was the product of one of New York’s more notorious socialites (Peggy was renowned for her free-love ways) and a rotating cast of architects, surrealists, poets, artists, oddball curators and thinkers.

Though initially intended as a platform to show the works of her European artist friends, Peggy's gallery became the place to see works by a generation of young American artists who were tearing painting apart. She would become a key patron to the Abstract Expressionists (in particular, Jackson Pollock), at a time when few people were supporting the movement — or art in general. (It was the middle of World War II, after all.) For this report, we pay a visit to the space that, over the course of five short years in the '40s, helped transform art history. And we look at the unusual, single-minded woman who made it all happen.

Interviewed in this piece (in order of appearance) are:

  • Zang Toi, a fashion designer who today occupies the gallery's old space at 30 W. 57th Street
  • Ann Temkin, the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at the Museum of Modern Art
  • Steven Naifeh, co-author of "Jackson Pollock: An American Saga"
  • Jed Perl, author of "New Art City: Manhattan at Mid-Century"
  • Susan Davidson, Senior Curator, Collections and Exhibitionst, at the Guggenheim Museum and co-author of "Peggy Guggenheim and Frederick Kiesler: The Story of Art of This Century"

Vintage audio of Peggy Guggenheim is from the WNYC archive. (You can listen to the full interview here.)

The music featured includes:

  • "Music for Jackson Pollock (for 2 cellos)," written by Morton Feldman (1950-51), performed by Philipp Vandre & Turfan Ensemble
  • "Sonatas and Interludes for Prepared Piano," written by John Cage (1946-48), performed by Herbert Henck
  • "Nuages," written by Django Reinhardt (1940), performed by Django Reinhardt & The Quintet of the Hot Club de France
  • "Concerto for Cootie," written by Duke Ellington (1940), performed by The Duke Ellington Orchestra
  • "Leap Frog," written by Charlie Parker, performed by Dizzy Gillespie - Charlie Parker Quintet (1950)
Chris Young/AFP/Getty
Peggy's gallery was no ordinary white box. Above, a reproduction of the concave Surrealist Gallery, complete with amoeboid furniture, shown at London's Victoria and Albert Museum in 2007.
Peggy, in red, admires pieces from her collection in the company of art critic Alfred Frankfurter. Among the works shown are numerous canvases by Pollock.
Carolina A. Miranda
'Stenographic Figure,' an early work by Jackson Pollock shown at Peggy's gallery -- a piece that drew critical praise from none other than Dutch abstractionist Piet Mondrian.
© 2010 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Another early work that Pollock showed at Art of This Century: 'She-Wolf,' from 1943, which drew the attention of a curator at MoMA when it was first shown.
Stephen Nessen
The space at 30 W. 57th Street now serves as a fashion studio. Above, designer Zang Toi shows off his black velvet mini-kilt. (And yes, I want one.)
The Museum of Modern Art, New York. Purchase © Dedalus Foundation, Inc./Licensed by VAGA, New York, NY
'Pancho Villa, Dead and Alive,' an early collage by Robert Motherwell -- a type of art that hadn't been seen in the United States until Guggenheim organized a collage show at Art of This Century.

Produced by:

Ave Carillo

Tags:

More in:

Comments [2]

thanks! i love The Pegster, too!!!

Oct. 05 2010 01:48 PM
shadeed ahmad from New York, New York

Wow... Peggy Guggenheim was a shooting star. With no holds barred, she was truly an independent soul. The art world thrives on the unique and she was every bit that.

She was nurturing to the Abstract Expressionists to the point where I believe she could rightfully be called, "The Queen Mother of Abstract Expressionism."

Carolina Miranda and Ave Carillo, thanks for this wonderful audio, "Uptown with Peggy Guggenheim at Art of this Century."

WNYC has done a spectacular job of enticing and creatively informing the public about the forthcoming Abstract Expressionists exhibit at MoMA.

You have me feeling so exuberant, it's like I'm swooning in front of the Abstract Expressionist masterpieces already.

Oct. 03 2010 01:51 AM

Leave a Comment

Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.

Sponsored

Feeds

Supported by